On 1989, the song "Stand By Me" was released by Kim Waters. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 10 in the song's album "Sweet And Saxy". In this album, this song's track order is #7. In terms of popularity, Stand By Me is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Stand By Me by Kim Waters having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Workin' | Jazz Holdouts | F Major | 7 | 7B | 100 BPM | ||
| Let's Stay Together | Eric Darius | D Minor | 6 | 7A | 110 BPM | ||
| Highway To Heaven | Jeffery Smith | F Minor | 5 | 4A | 98 BPM | ||
| Lullaby (feat. Darren Rahn) | Jonathan Fritzén, Darren Rahn | F Major | 5 | 7B | 90 BPM | ||
| City Lights | Nelson Rangell | G Minor | 6 | 6A | 98 BPM | ||
| Bring It | Kim Waters | F Major | 7 | 7B | 101 BPM | ||
| Around 12:15 AM | Alex Bugnon | F Major | 7 | 7B | 98 BPM | ||
| Full Bloom | Kayla Waters | B♭ Minor | 7 | 3A | 108 BPM | ||
| Fall For You | Blake Aaron | B Minor | 9 | 10A | 100 BPM | ||
| Tidal | Smooth Jazz Alley, Andy Snitzer | A Major | 8 | 11B | 93 BPM | ||
| At Last | Ronny Jordan | C Major | 6 | 8B | 91 BPM | ||
| Night Rider | Paul Taylor | G Minor | 7 | 6A | 83 BPM | ||
| Heart Seeker | Kim Waters | A♭ Major | 6 | 4B | 98 BPM | ||
| This Way, That Way (feat. Darren Rahn) | Jonathan Fritzén, Darren Rahn | F Major | 8 | 7B | 100 BPM | ||
| When I Think Of You | Everette Harp | C Minor | 6 | 5A | 92 BPM | ||
| You And I | Bobby Lyle | B♭ Major | 4 | 6B | 150 BPM | ||
| Happy | Jeffery Smith | B♭ Minor | 5 | 3A | 88 BPM | ||
| Between Us (feat. Michael Stever) | Nicholas Cole, Michael Stever | D♭ Minor | 8 | 12A | 94 BPM | ||
| Getting Close | Dan Siegel | D♭ Major | 6 | 3B | 89 BPM | ||
| Monday Speaks | Everette Harp | F Major | 8 | 7B | 107 BPM | ||
| Midnight Drive | Michael Lington | F Minor | 5 | 4A | 109 BPM | ||
| The Rose | Urban Knights | A♭ Major | 5 | 4B | 147 BPM | ||
| Infinite Love | Darren Rahn | F Minor | 7 | 4A | 91 BPM | ||
| Pamela | Brian Hughes | A♭ Minor | 7 | 1A | 120 BPM | ||
| Fly Away With Me | Pamela Williams | F Minor | 8 | 4A | 108 BPM |