Cipriano de Rore, Amarcord's ' "Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire" was released on its scheduled release date, 2006. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Tutti i madrigali a quattro voci, R 2513, Libro I: No. 8, Ancor che col partire by Cipriano de Rore, Amarcord having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Second Booke of Songs or Ayres: Flow, my tears | John Dowland, Ruby Hughes, Jonas Nordberg | G Minor | 0 | 6A | 124 BPM | ||
| Couperin, L: Fantaisie pour les Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Io canterei d’amor (Arr. Lacey, McGuire) | Marshall McGuire, Genevieve Lacey, Cipriano de Rore, Girolamo Dalla Casa | B Major | 3 | 1B | 124 BPM | ||
| Magne Pater Augustine | Francisco Guerrero, A5 Vocal Ensemble | B♭ Major | 2 | 6B | 95 BPM | ||
| Laudate Dominum omnes gentes a 5, SV 272 | Claudio Monteverdi, Choir of The King's Consort, The King's Consort, Robert King | B Major | 2 | 1B | 117 BPM | ||
| Huc me sidereo - Pungentem capiti - De me solus amor | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
| Brumel: Missa Et Ecce Terrae Motus - 01. Kyrie 1 | The Tallis Scholars, Peter Phillips | F Major | 1 | 7B | 176 BPM | ||
| Vidimus Stellam: V. Vidimus Stellam | Kevin Siegfried, The Byrd Ensemble, Markdavin Obenza | A Major | 1 | 11B | 74 BPM | ||
| Vos me matastes | Miguel de Fuenllana, Shirley Rumsey | D Minor | 0 | 7A | 112 BPM | ||
| Crecquillon: Pater peccavi - 2. Quanti mercenarii | Thomas Crecquillon, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 77 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
| Requiem in memoriam Josquin Desprez: VII. Communio - Lux aeterna | Jean Richafort, Huelgas Ensemble, Paul Van Nevel | C Major | 1 | 8B | 86 BPM | ||
| Fantasia Suite in G Minor for Treble and 2 Basses, VdGS No. 1: III. Corant | John Jenkins, Fretwork | E Minor | 2 | 9A | 109 BPM | ||
| Heu me, Domine | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | G Minor | 0 | 6A | 124 BPM | ||
| Ach Vlaendere vrie | Thomas Fabri, Capilla Flamenca | E Minor | 0 | 9A | 171 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Salve primer tono por de la sol re - Version for Consort of 4 Viols | Sebastián Aguilera de Heredia, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | N/A | N/A | N/A | 0 BPM | ||
| Missa O lumen ecclesie: Kyrie | Jacob Obrecht, Ars Nova Secunda, Janos Bali | F Major | 1 | 7B | 72 BPM | ||
| Io canterei d'amor sì novamente | Cipriano de Rore, Profeti Della Quinta | B Major | 1 | 1B | 86 BPM | ||
| Jephte: XVIII. Coro a 6 | Giacomo Carissimi, Consortium Carissimi, Vittorio Zanon | G Minor | 1 | 6A | 81 BPM | ||
| Missa pro defunctis: VI. Agnus Dei | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 169 BPM | ||
| Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
| The Strathclyde Motets: O Radiant Dawn | James MacMillan, The Gesualdo Six, Owain Park | A Minor | 1 | 8A | 82 BPM |