"Onslaught" by Henry Jackman had its release date on September 28, 2018. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Predator (Original Motion Picture Soundtrack)". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United States. Based on our statistics, Onslaught's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Onslaught by Henry Jackman having a BPM of 123 with a half-time of 62 BPM and a double-time of 246 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Home | David Fleming | D Major | 7 | 10B | 86 BPM | ||
| San Francisco Spared | Dominic Lewis | D Minor | 6 | 7A | 120 BPM | ||
| Kingdom Of Atlantis | Rupert Gregson-Williams | C Minor | 3 | 5A | 109 BPM | ||
| Into Eternity - From "Thor: The Dark World"/Score | Brian Tyler | B♭ Major | 2 | 6B | 84 BPM | ||
| The Golden Age | John Paesano | E Minor | 4 | 9A | 105 BPM | ||
| Assassin's Creed III Main Theme | Lorne Balfe, Assassin's Creed | D Minor | 9 | 7A | 135 BPM | ||
| Tidal Wave | Harald Kloser | F Major | 5 | 7B | 145 BPM | ||
| Dragons | Neal Acree, Overwatch, Blizzard Entertainment | G Minor | 4 | 6A | 131 BPM | ||
| Helicarrier | Alan Silvestri | B♭ Minor | 4 | 3A | 60 BPM | ||
| Walk The Plank | Klaus Badelt | D Major | 3 | 10B | 122 BPM | ||
| 10,000 BC/End Credits | Harald Kloser, Thomas Wander | E Minor | 5 | 9A | 84 BPM | ||
| Pyramid Collapse / Main Titles | John Ottman | G Major | 5 | 9B | 123 BPM | ||
| You're a Soldier Now | Steve Jablonsky | D Minor | 5 | 7A | 140 BPM | ||
| Arrival - From "TRON: Legacy"/Score | Daft Punk | A♭ Minor | 1 | 1A | 78 BPM | ||
| Flint's Determination | Mark Mothersbaugh | C Minor | 2 | 5A | 116 BPM | ||
| Mercury | Edmund Percival Montfort | E♭ Minor | 2 | 2A | 100 BPM | ||
| Past/Present/Future | Brandon Roberts | C Major | 5 | 8B | 80 BPM | ||
| Past/Present Suite | Nicholas Britell | B Minor | 2 | 10A | 100 BPM | ||
| Spray-On Triumph | Mark Mothersbaugh | F Major | 5 | 7B | 130 BPM | ||
| This Isn't Goodbye | Pinar Toprak | C Major | 2 | 8B | 141 BPM | ||
| Heading To Elysium | Ryan Amon | D♭ Major | 5 | 3B | 95 BPM | ||
| The Ring Goes South | Howard Shore | A Minor | 1 | 8A | 80 BPM | ||
| Heading Home | Clinton Shorter | D Minor | 2 | 7A | 85 BPM | ||
| Loki Green Theme | Natalie Holt | F Major | 5 | 7B | 126 BPM | ||
| This Is Where You Leave Me | Max Aruj, Alfie Godfrey | A Minor | 0 | 8A | 139 BPM |