Ravindra Jain's 'Kiya Nahi Das Sheesh Ko Keval Shastra Viheen' had a release date set for January 1, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Ravindra Jain's "Lanka Kaand" album is number 15 out of 94. On top of that, India appears to be the country where this track was created. Kiya Nahi Das Sheesh Ko Keval Shastra Viheen is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Kiya Nahi Das Sheesh Ko Keval Shastra Viheen by Ravindra Jain to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dheeraj Rakh Wo Rehmat Ki Barkha Barsa Bhi Dega | Manhar Udhas | B♭ Minor | 5 | 3A | 101 BPM | ||
| Maa Baap Ko Mat Bhoolna | Rajesh Chandra | C Minor | 2 | 5A | 109 BPM | ||
| Aye Malik Tere Bande | Rajasree Mukherjee and Shromona Mukherjee | G Minor | 4 | 6A | 87 BPM | ||
| Maa Tere Darbar Jhuke Sara Sansar | Mohammed Rafi | G Minor | 4 | 6A | 86 BPM | ||
| Radhika Gori Se Biraj Ki Chhori Se | Anuja Sinha | E♭ Major | 6 | 5B | 154 BPM | ||
| Jai Radhe Jai Radhe Jai Shri Krishan | Pt. Gyanendra Sharma | D Minor | 7 | 7A | 89 BPM | ||
| Kon Kahta Ki Bhagwan Aate Nhi | Anju Sharma | E Major | 6 | 12B | 90 BPM | ||
| Mera Aapki Kripa Se | Bhaiya Krishan Das Ji | B Major | 8 | 1B | 139 BPM | ||
| Meri Raksha Karo Bajrangbali | Babla Mehta | E Major | 7 | 12B | 132 BPM | ||
| Jagdaati Pahadonwali Maa (From "Mahima Vaishno Devi Ki") | Sonu Nigam | A Minor | 5 | 8A | 79 BPM | ||
| Zara Halke Gaadi Haako | Kumar Vishwas | A Minor | 5 | 8A | 115 BPM | ||
| Jai Jai Ram Jai Shri Ram | Mohammed Rafi | G Major | 3 | 9B | 122 BPM | ||
| Mai Sabse Badi Hai Tu | Riza Khan, Bali Thakre | E Major | 8 | 12B | 104 BPM | ||
| Hanuman Ji Hanuman Ji Daya Bhakton Pe | Babla Mehta | F Major | 8 | 7B | 126 BPM | ||
| Thumak Chalat Ramchandra | Ravindra Jain | B Major | 3 | 1B | 173 BPM | ||
| Tumse Laagi Lagan | Anjali Jain, Namita Jain, Anubhav Kapil | E♭ Minor | 4 | 2A | 115 BPM | ||
| O Papi man kar le bhajan | Aniruddhacharya Ji Maharaj | B Major | 7 | 1B | 102 BPM | ||
| Sawre KO Dil Me Basa Kar | Chitra Vichitra Ji Maharaj | B♭ Minor | 9 | 3A | 77 BPM | ||
| Maa Sharde Kaha Tu Veena Baja Rahi Hai | Tara Devi | A Major | 8 | 11B | 169 BPM | ||
| Yahan Wahan Jahan Wahan | Mahendra Kapoor | B♭ Minor | 9 | 3A | 80 BPM | ||
| Teri Maaya Ka | Ravindra Jain | A♭ Major | 6 | 4B | 89 BPM | ||
| Ram Ji Se Punche Janakpur Ki Naari | Mishra Bandhu | A♭ Minor | 7 | 1A | 96 BPM | ||
| Shree Shiv Panchakshram Stotram | Pujya Bhaishree Rameshbhai Ojha | E♭ Major | 5 | 5B | 125 BPM | ||
| Ankhiyon Ke Jharokhon Se - Part 2 | Hemlata, Ravindra Jain | F Minor | 4 | 4A | 120 BPM | ||
| Idhar Bhi Ishwar Udhar Bhi - With Dialogue | Sushma Shrestha, Kamal Barot, Hemlata, Various Artists, Kalyanji-Anandji | A♭ Major | 6 | 4B | 83 BPM |