Ryan Stout's 'Why You Came Here' had a release date set for November 7, 2017. Why You Came Here is considered explicit and may contain foul language. This song is about 3 minutes and 11 seconds, which is about the average length of a typical song. The track order of this song in Ryan Stout's "How to Be an Audience" album is number 1 out of 13. Why You Came Here is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Why You Came Here by Ryan Stout to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Surviving a Relationship | Kevin James | F♯ Major | 9 | 2B | 130 BPM | ||
| Afflictions | Ryan Stout | E Major | 7 | 12B | 64 BPM | ||
| Wedding Baller | Gary Owen | E Minor | 9 | 9A | 97 BPM | ||
| Distressed Jeans | Bengt Washburn | D♭ Minor | 2 | 12A | 140 BPM | ||
| Killing & Eating | Ryan Stout | E♭ Minor | 9 | 2A | 81 BPM | ||
| Dad Meet Stephen | Chris Distefano | D Major | 4 | 10B | 128 BPM | ||
| Massage Woes | Andrew Norelli | E♭ Minor | 6 | 2A | 88 BPM | ||
| Going Out To Eat With My Parents | Giulia Rozzi | B♭ Major | 2 | 6B | 72 BPM | ||
| Man Bun and Molly | Adam Ferrara | D♭ Minor | 9 | 12A | 134 BPM | ||
| Why I Stopped Drinking | Tom Rhodes | E♭ Major | 6 | 5B | 75 BPM | ||
| I Was Yo Mama | Andy Woodhull | E Minor | 7 | 9A | 80 BPM | ||
| Rats | Marc Maron | A Minor | 9 | 8A | 84 BPM | ||
| Getting Old Characteristics | Chad Thornsberry | E Major | 5 | 12B | 81 BPM | ||
| Olive Garden Commercials | Adam Ray | B♭ Major | 5 | 6B | 88 BPM | ||
| Epilogue | Ryan Stout | E♭ Minor | 8 | 2A | 90 BPM | ||
| Stone Cold Sober | Collin Moulton | B Major | 9 | 1B | 92 BPM | ||
| Respect | Sheng Wang | G Minor | 0 | 6A | 77 BPM | ||
| The Pilot | Josh Blue | F♯ Minor | 7 | 11A | 78 BPM | ||
| Kiddles | Robert Mac | B Major | 5 | 1B | 135 BPM | ||
| Divide and Alienate | Ryan Stout | D Major | 6 | 10B | 83 BPM | ||
| My Hair | Orny Adams | A♭ Minor | 9 | 1A | 89 BPM | ||
| Single Mike | Mike Hover | A Minor | 3 | 8A | 84 BPM | ||
| Tags On My Shirts Don't Bother Me | Janet McNamara | F♯ Major | 6 | 2B | 83 BPM | ||
| Andrew, Walk the Dog | Andrew Norelli | D♭ Major | 8 | 3B | 105 BPM | ||
| I Am Hot and Young | Dave Ross | A Major | 7 | 11B | 103 BPM |