Malcolm Vaughan's 'Love Me as Though There Were No Tomorrow' had a release date set for September 20, 2019. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 24 in A Night to Remember by Malcolm Vaughan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Love Me as Though There Were No Tomorrow is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Love Me as Though There Were No Tomorrow by Malcolm Vaughan is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cindy Oh Cindy | Eddie Fisher | E♭ Major | 3 | 5B | 78 BPM | ||
| Be My Love (From "The Toast of New Orleans") | Mario Lanza, Ray Sinatra | C Major | 4 | 8B | 122 BPM | ||
| Dark Moon - 1999 Remaster | Tony Brent | F Major | 3 | 7B | 91 BPM | ||
| True Love | Kitty Kallen | E Major | 2 | 12B | 170 BPM | ||
| South of the Border | Malcolm Vaughan | A♭ Major | 2 | 4B | 121 BPM | ||
| This Side of Heaven | Malcolm Vaughan | A♭ Major | 2 | 4B | 121 BPM | ||
| No Arms Can Ever Hold You | The Bachelors | E♭ Major | 7 | 5B | 139 BPM | ||
| Stranger on the Shore | Anita Bryant | E♭ Major | 3 | 5B | 78 BPM | ||
| You Always Hurt the One You Love | Des O'Connor | F♯ Major | 4 | 2B | 115 BPM | ||
| This Is My Song | Petula Clark | F Major | 4 | 7B | 97 BPM | ||
| Mr Wonderful | Ruby Murray | A♭ Major | 2 | 4B | 118 BPM | ||
| I Love You Drops | Vic Dana | C Major | 4 | 8B | 124 BPM | ||
| More (with Mitchell Ayres and His Orchestra & The Ray Charles Singers) | Perry Como, Mitchell Ayres & His Orchestra, The Ray Charles Singers | G Major | 2 | 9B | 85 BPM | ||
| Hold My Hand | Don Cornell | E♭ Major | 2 | 5B | 82 BPM | ||
| Wedding Day | Ray Peterson | F Major | 3 | 7B | 80 BPM | ||
| The Wedding | Malcolm Vaughan | E♭ Major | 3 | 5B | 64 BPM | ||
| I Don't Want To Set The World On Fire | Brian Hyland | F Major | 3 | 7B | 99 BPM | ||
| No One But You | Billy Eckstine | E♭ Major | 3 | 5B | 78 BPM | ||
| Till Then | Ray Peterson | E♭ Major | 3 | 5B | 78 BPM | ||
| Anytime | Eddie Fisher | E♭ Major | 3 | 5B | 78 BPM | ||
| Anywhere I Wander | Julius LaRosa | C Major | 0 | 8B | 76 BPM | ||
| Baby Lover | Petula Clark | B♭ Major | 4 | 6B | 132 BPM | ||
| Rainbow | Russ Hamilton | E♭ Major | 3 | 5B | 78 BPM | ||
| Don't Blame Me | Frank Ifield | A Minor | 4 | 8A | 112 BPM | ||
| You Are My One Desire | Buddy Holly | D Major | 3 | 10B | 125 BPM |