"6 Hymn-Preludes: IV. St. Denio" by Percy Whitlock, Roderick elms had its release date on 2010. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. 6 Hymn-Preludes: IV. St. Denio's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The Gentle Art of Percy Whitlock (Sortie and Other Organ Music)". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. 6 Hymn-Preludes: IV. St. Denio is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Hymn-Preludes: IV. St. Denio by Percy Whitlock, Roderick elms having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": I. Kyrie | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
| Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
| Toccata Op.5/3 | Joesph Bonnet, Charles-Marie Widor, David M Patrick | D Major | 3 | 10B | 174 BPM | ||
| Melodiebewerking: Komt Als Kind'ren Van het Licht | Feike Asma | A Minor | 0 | 8A | 70 BPM | ||
| Parce mihi, Domine a 8 | Francisco Garro, Cupertinos, Luís Toscano | E Major | 0 | 12B | 78 BPM | ||
| Sechs Stüche In Kanonischer Form, Op. 56: III. Andantino | Robert Schumann, Anders Eidsten Dahl | E Major | 0 | 12B | 72 BPM | ||
| Mother of God, Here I stand | John Tavener, Irene Messoloras, Meridian | G Major | 1 | 9B | 86 BPM | ||
| Meditatie | André Knevel | E♭ Major | 0 | 5B | 88 BPM | ||
| Barboniade | Michelle Legauffe | C Major | 2 | 8B | 56 BPM | ||
| Requiem for the Living: V. Lux Aeterna | Providence Singers, Christine Noel, Kilian Mooney | G Major | 1 | 9B | 86 BPM | ||
| Here, O my Lord | Percy Whitlock, Ian Barber, David Drinkell | E♭ Major | 2 | 5B | 75 BPM | ||
| Forty Days and Forty Nights (Aus der Tiefe) | Martin Herbst, Malcolm Archer, Rupert Gough, Wells Cathedral Choir | D♭ Major | 1 | 3B | 109 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| Messe Solennelle: Kyrie | Louis Vierne, The Choir of Canterbury Cathedral, David Flood | F Major | 1 | 7B | 170 BPM | ||
| Lo, the full, final sacrifice, Op.26: Amen | Gerald Finzi, Choir of New College, Oxford, Edward Higginbottom | E Major | 1 | 12B | 69 BPM | ||
| Psalm 22: 1-11: My God, My God, Look Upon Me (Wesley) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | ||
| Goodnight Moon | Eric Whitacre, Adrian Kirtley, 2022 Chamber, Timber Creek HS Chamber | G Major | 1 | 9B | 132 BPM | ||
| Magnificat (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 97 BPM | ||
| Minuetto | Eugène Gigout, David Sanger | F Minor | 1 | 4A | 123 BPM | ||
| Canzon vigesimanona, F 8.54 | Girolamo Frescobaldi, Le Concert Spirituel, Herve Niquet | E Major | 2 | 12B | 125 BPM | ||
| Before Action | Hilgrove Kenrick, Ǣfendrēama, Chloe May Evans | F Minor | 2 | 4A | 67 BPM | ||
| No Small Wonder | The Concord Singers | E Minor | 0 | 9A | 68 BPM | ||
| Suite Gothique, Op. 25: II. Menuet gothique. Allegro | Léon Boëllmann, Ian Tracey | C Major | 0 | 8B | 69 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Comelico Pass | Michelle Legauffe | C Major | 3 | 8B | 64 BPM |