"Charles the Fat" by Stephanie Economou, Assassin's Creed had its release date on July 27, 2021. The duration of This song is about 3 minutes long, at 3:15. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 14 in Assassin's Creed Valhalla: The Siege of Paris (Original Game Soundtrack) by Stephanie Economou, Assassin's Creed. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Charles the Fat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Charles the Fat by Stephanie Economou, Assassin's Creed is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Doomhammer | Jeff van Dyck | G Major | 8 | 9B | 94 BPM | ||
| To the Gate | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 183 BPM | ||
| Pride of the Eagle | Richard Beddow | B♭ Major | 2 | 6B | 78 BPM | ||
| Rhythms of War | Maclaine Diemer | B♭ Major | 3 | 6B | 96 BPM | ||
| Serpent Scale | Valkyrion | D Major | 8 | 10B | 95 BPM | ||
| Dark Fields | Stephanie Economou, Assassin's Creed | A♭ Minor | 2 | 1A | 98 BPM | ||
| Temple Of Snakes | Marcin Przybyłowicz | B♭ Minor | 1 | 3A | 121 BPM | ||
| Bishop Engelwin and Count Odo | Stephanie Economou, Assassin's Creed | D♭ Major | 7 | 3B | 168 BPM | ||
| Death's Play | Vsevolod Borisov | B Minor | 8 | 10A | 100 BPM | ||
| The Hunting Ground | Stephanie Economou, Assassin's Creed | D♭ Major | 3 | 3B | 116 BPM | ||
| Absence of Light | Jesper Kyd, Assassin's Creed | G Minor | 4 | 6A | 110 BPM | ||
| The Baleful Edict | Doyle W. Donehoo | F Major | 2 | 7B | 93 BPM | ||
| Bile and Venom | Jon Everist, Paradox Interactive | C Minor | 5 | 5A | 143 BPM | ||
| Ray of Hope | David García Díaz, Andy LaPlegua | B♭ Major | 1 | 6B | 79 BPM | ||
| Wandering Warriors | Luc St-Pierre | D♭ Major | 5 | 3B | 107 BPM | ||
| Claws in the Hollow | Oleksa Lozowchuk | A♭ Major | 2 | 4B | 100 BPM | ||
| Plague District | Stephanie Economou, Assassin's Creed | D♭ Major | 7 | 3B | 168 BPM | ||
| On the Cusp of the Abyss | Dmitry V. Silantyev | F♯ Major | 4 | 2B | 100 BPM | ||
| The Black Clads | P.T. Adamczyk | F♯ Minor | 4 | 11A | 80 BPM | ||
| Kappa | Theophany, ROZEN | C Minor | 6 | 5A | 120 BPM | ||
| Into the Worldwound | Dmitry V. Silantyev | G Major | 4 | 9B | 81 BPM | ||
| Arno's Return | Chris Tilton, Assassin's Creed | E Minor | 4 | 9A | 200 BPM | ||
| At Ninth Gate | Elitsa Alexandrova, Assassin's Creed | D♭ Major | 5 | 3B | 126 BPM | ||
| Steel Bones | Niels van der Leest | D♭ Minor | 3 | 12A | 83 BPM | ||
| The Bearded Axe (feat. Einar Selvik) | Sarah Schachner, Assassin's Creed, Einar Selvik | F Minor | 6 | 4A | 85 BPM |