"BGM:夢見る頃を過ぎても C-7" by 毛利蔵人 had its release date on June 23, 2004. The duration of This song is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. BGM:夢見る頃を過ぎても C-7's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 世界名作劇場 赤毛のアン 想い出音楽館, so we believe that "BGM:夢見る頃を過ぎても C-7" is a single. In terms of popularity, BGM:夢見る頃を過ぎても C-7 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of BGM:夢見る頃を過ぎても C-7 by 毛利蔵人 is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No Other Authority | Marc Ezenge | F♯ Major | 2 | 2B | 67 BPM | ||
| Disegno | Eldar Dadashov, Edmelody | A Minor | 1 | 8A | 105 BPM | ||
| The Secret Glade | Audinity | F Minor | 1 | 4A | 100 BPM | ||
| New World for Us | Ernesto Vallini, Neon Lilith, Massimo Lisi, Gabrielle La Ville | A Minor | 3 | 8A | 101 BPM | ||
| Zonas de Paso | Las Eternas | E♭ Major | 3 | 5B | 81 BPM | ||
| la foresta | BeatFusion. | C Minor | 2 | 5A | 101 BPM | ||
| Be the Wind | James Barth | D Major | 1 | 10B | 104 BPM | ||
| Cardiosmose | Jean Musy | F Major | 1 | 7B | 148 BPM | ||
| Adágio Schumanniano, Op. 40 | Lohan Dietrich | E Minor | 3 | 9A | 85 BPM | ||
| Tending To Huey | Peter Schickele | A Minor | 0 | 8A | 92 BPM | ||
| Deborah's Theme #6 | Solisti e Orchestre del Cinema Italiano | E♭ Major | 2 | 5B | 78 BPM | ||
| An Avandalian Suite: IV. Voyage | Karen Amrhein, Slovak Radio Symphony Orchestra, Kirk Trevor | A♭ Major | 1 | 4B | 69 BPM | ||
| That's Enough for Me | Antonio Rossi & His Orchestra | D Major | 2 | 10B | 67 BPM | ||
| Your green harp | Jalaapeno | F Minor | 0 | 4A | 70 BPM | ||
| Concerto Pour Flûte Et Harpe En Do Majeur, K. 299: II. Andantino | Patrick Strub, Raffaele Trevisani, Kammerorchester Arcata Stuttgart, Luisa Prandina | F Major | 1 | 7B | 113 BPM | ||
| Midiendo Acercamientos | Ninfas De Ultramar | D♭ Minor | 1 | 12A | 79 BPM | ||
| 黄金の日日 - 2024 Live Version | キンボー・イシイ, NHK Symphony Orchestra | G Major | 2 | 9B | 84 BPM | ||
| Pyramid Dance (Heart Of Stone) - From "Goldilocks" Musical | Leroy Anderson | B♭ Minor | 3 | 3A | 77 BPM | ||
| Repentes | Armonias | A Major | 2 | 11B | 144 BPM | ||
| Near the End | Paulo Thomas, Paul Thomas | E♭ Minor | 2 | 2A | 67 BPM | ||
| Mother Tree | Saleh Sarabov, Saleh Sarab | A♭ Major | 3 | 4B | 110 BPM | ||
| London 1900 (Filby's Theme) [Remastered 2022] | Russell Garcia | A Major | 0 | 11B | 177 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | A♭ Major | 1 | 4B | 69 BPM | ||
| Toccata and Passacaglia: I. Toccata | Maya Badian, Brasov State Philharmonic Orchestra, Ilarion Ionescu-Galati | G Major | 1 | 9B | 79 BPM | ||
| The heart understands things the mind cannot explain | Sleepy Puppy, Grounding Sanctuary, Astral Sound Temple, Sacred Sound Rituals | G Minor | 1 | 6A | 89 BPM |