- BPM
- 76
- Key
- A Major
- Camelot
- 11B
Berceuse, Op. 47 by Louis Moreau Gottschalk, Raphaël Epstein Song Details
"Berceuse, Op. 47" by Louis Moreau Gottschalk, Raphaël Epstein had its release date on August 30, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 13 out of 18 in Berceuses au piano by Raphaël Epstein. Berceuse, Op. 47 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Berceuse, Op. 47 by Louis Moreau Gottschalk, Raphaël Epstein is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -35.515 dB
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 2%
- Instrumentalness
- 93%
- Liveness
- 9%
- Loudness
- 41%
- Speechiness
- 4%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Vergessene Weisen, Op. 38 (Forgotten Melodies I): No. 3, Danza Festiva - Duo-Art 6998 | Nikolai Medtner, Peter Phillips | F♯ Major | 0 | 2B | 70 BPM | |
 | 21 Hungarian Dances, WoO 1: No. 3 in F Major. Allegretto | Johannes Brahms, Tal & Groethuysen | F Major | 0 | 7B | 98 BPM | |
 | Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | |
 | Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Lang Lang, Gewandhausorchester, Andris Nelsons | A Minor | 1 | 8A | 126 BPM | |
 | Pleasant Moments: Ragtime Waltz | Scott Joplin, Alexander Peskanov | G Major | 1 | 9B | 63 BPM | |
 | Overture to "A Midsummer Night's Dream", Op. 21: Allegro di molto | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | E Major | 1 | 12B | 137 BPM | |
 | Suk: Serenade for Strings in E-Flat Major, Op. 6: IV. Allegro giocoso ma non troppo presto | Josef Suk, Christopher Warren-Green, Andrew Shulman, Lyn Fletcher, Roger Chase, Nigel Warren-Green, London Chamber Orchestra | B♭ Major | 2 | 6B | 106 BPM | |
 | Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | |
 | Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | |
 | Fields of Flowers | William Bolcom, Spencer Myer | G Major | 0 | 9B | 84 BPM | |
 | Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | |
 | Wedding Cake, Op. 76 | Camille Saint-Saëns, Joel Fan, Northwest Sinfonietta, Christophe Chagnard | A♭ Major | 0 | 4B | 75 BPM | |
 | Schumann: Symphony No. 1 in B-Flat Major, Op. 38, Spring: III. Scherzo (Molto vivace) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | D Minor | 1 | 7A | 150 BPM | |
 | No. 4, Poco andante in F Major | Antonín Dvořák, Stefan Veselka | E Major | 1 | 12B | 122 BPM | |
 | Moment Exotique | Vladimir Horowitz | B Major | 1 | 1B | 73 BPM | |
 | 3 Preludes : Andante Con Moto E Poco Rubato | Leon Bates, George Gershwin | F♯ Major | 0 | 2B | 107 BPM | |
 | Symphony in C Major, GB 115: I. Allegro vivo | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | G Major | 1 | 9B | 80 BPM | |
 | Piano concerto in A Minor, Op. 7: I. Allegro maestoso | Clara Schumann, Canada's National Arts Centre Orchestra, Alexander Shelley | C Major | 1 | 8B | 120 BPM | |
 | Étude in E Major, Op. 10, No. 3: Lento, ma non troppo | Frédéric Chopin, Vladimir Horowitz | D♭ Major | 6 | 3B | 105 BPM | |
 | O ma charmante, épargnez-moi, Caprice, Op. 44 | Louis Moreau Gottschalk, Laure Favre-Kahn | E♭ Major | 5 | 5B | 167 BPM | |
 | New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | |
 | Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | |
 | The Nutcracker, Op. 71, TH 14: No. 13, Valse des fleurs (Arr. V. Gryaznov for Piano) | Pyotr Ilyich Tchaikovsky, Vyacheslav Gryaznov | B♭ Major | 2 | 6B | 116 BPM | |
 | Petite suite de concert, Op. 77: II. Demande et reponse | Samuel Coleridge-Taylor, Chicago Sinfonietta, Paul Freeman | G Major | 0 | 9B | 90 BPM | |
 | Suite pastorale: I. Idylle | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 0 | 7B | 105 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records