"Meditation, Op. 32, for Cello and Accordion" by Helmut Rogl, Martin Rummel, Alfred Melichar had its release date on April 1, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Helmut Rogl, Martin Rummel's "Helmut Rogl: Complete Cello Works so Far" album is number 8 out of 12. On top of that, Austria appears to be the country where this track was created. Based on our statistics, Meditation, Op. 32, for Cello and Accordion's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Meditation, Op. 32, for Cello and Accordion by Helmut Rogl, Martin Rummel, Alfred Melichar to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Biafra | Alex Baranowski, Daniel Hope, Jacques Ammon, Deutsches Kammerorchester Berlin | B♭ Minor | 0 | 3A | 74 BPM | ||
| The Moulin Rouge | Peter Breiner, Don Gillis | G Minor | 0 | 6A | 89 BPM | ||
| 二つの悲しき旋律: 第2曲: 過ぎし春 | 石田泰尚, 石田組 | F Major | 1 | 7B | 74 BPM | ||
| Lamento, Op. 44: Schreitend (Nicht Schleppend) | Helmut Rogl, Martin Rummel, Florian Feilmair | B Major | 2 | 1B | 106 BPM | ||
| Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | ||
| Las 4 Estaciones Porteñas: I. Verano Porteño (Arr. L. Desyatnikov for Violin & Strings) | Tianwa Yang, Nashville Symphony Orchestra, Giancarlo Guerrero | A Minor | 1 | 8A | 140 BPM | ||
| Sollima: Marcia | Gautier Capuçon, Capucelli | D Major | 1 | 10B | 104 BPM | ||
| Sun Triptych: II. Day | Dobrinka Tabakova, Roman Mints, Kristine Blaumane, BBC Concert Orchestra | D Major | 3 | 10B | 76 BPM | ||
| Butterfly Lovers Violin Concerto: IV. Pesante - Più mosso - Duramente | Chen Gang, He Zhanhao, Chloe Chua, Singapore Symphony Orchestra, Rodolfo Barráez | G Minor | 3 | 6A | 142 BPM | ||
| Hino 204 - Só Jesus É Amigo Verdadeiro | Orquestra Sacra Paulista | C Major | 2 | 8B | 134 BPM | ||
| Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato | Dmitri Shostakovich, Ronald Brautigam, Royal Concertgebouw Orchestra, Riccardo Chailly | A♭ Major | 1 | 4B | 82 BPM | ||
| Nocturne | Anatoli Brandukov, Jens Peter Maintz, Lithuanian Chamber Orchestra Vilnius, David Geringas | A Major | 0 | 11B | 93 BPM | ||
| The Accident - Bonus Track | Joe Hisaishi | D♭ Major | 3 | 3B | 153 BPM | ||
| Cello Concerto, Op. 24, "Violonchallenges": II. Grave - Largo - Un Poco Animato - Giocoso - Allego - Presto - Corale: Tempo Primo | Helmut Rogl, Martin Rummel, Ensemble Rara, Erland Maria Freudenthaler | A Major | 2 | 11B | 140 BPM | ||
| リュートのための古風な舞曲とアリア 第3組曲 第3曲:シチリアーナ | Fumiaki Miyamoto, オーケストラMAP'S | A♭ Minor | 5 | 1A | 135 BPM | ||
| Bangalter: Mythologies: IX. Zeus | Thomas Bangalter, Romain Dumas, Orchestre National Bordeaux Aquitaine | D♭ Major | 1 | 3B | 120 BPM | ||
| CRADLE SONG | Yoko Kanno | B♭ Minor | 1 | 3A | 104 BPM | ||
| She's Slender Like a Plane-Tree (Arr. for String Quartet by Sergei Aslamazyan) | Komitas, Bechtler Ensemble | E♭ Major | 1 | 5B | 62 BPM | ||
| Bachianas brasileiras No. 9: II. Fugue. Poco apressado (Version for string orchestra) | Heitor Villa-Lobos, Nashville Symphony Orchestra, Kenneth Schermerhorn | C Minor | 1 | 5A | 87 BPM | ||
| Carnival of the Animals: I. Introduction and Royal March of the Lion | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 2 | 9B | 79 BPM | ||
| As Far as Florence (From "The English Patient") | Gabriel Yared, Renaud Capuçon, Les Siècles, Duncan Ward | G Major | 0 | 9B | 84 BPM | ||
| Breathturn, Pt. 1 | John Zorn, Mika Stoltzman, Richard Stoltzman, Fred Sherry | D♭ Minor | 0 | 12A | 95 BPM | ||
| Vocalise, Op. 34 | London Philharmonic Orchestra, Pieter Schoeman | E Minor | 2 | 9A | 92 BPM | ||
| Gammal fabodpsalm fran Dalarna: No. 1 in A Major (arr. J. Johansson for orchestra) [Old Pastoral Hymn from Dalecarlia] | Wilhelm Stenhammar, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | A Major | 2 | 11B | 85 BPM |