On August 13, 2021, the song "Sodal" was released by Shankar Khan. This song is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. The song is number 127 out of 131 in Backpack Studio: Season 3 by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Sodal is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Sodal by Shankar Khan is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bandi Bulave Has Has Ke | Bijal Khan Mehar | D Major | 8 | 10B | 90 BPM | ||
| Manva Bolo Jai Sita Ram Bolo | Sri Sathya Sai Bhajans | D Minor | 5 | 7A | 82 BPM | ||
| Tumse Na Bolu | Kanhiya Mittal | C Minor | 6 | 5A | 123 BPM | ||
| Banna Dekhe Pelau Pel Bail Pe Jhumat Aave Bundeli Geet | Chandra Bhushan Pathak | F Minor | 1 | 4A | 115 BPM | ||
| Ram Naam Ka Sumiran Kar Le | Sanwarmal Saini | B Minor | 9 | 10A | 120 BPM | ||
| Thari Ghani Karu Manvar | Rajkumar Swami | D Major | 6 | 10B | 178 BPM | ||
| Babam Babam Bolo Jai Shiv Jai Shiv | Pujya Prembhushanji Maharaj | C Minor | 5 | 5A | 81 BPM | ||
| Ajmal Ji Ra Kanwra | Murlidhar Paudwal | A Major | 7 | 11B | 93 BPM | ||
| Mori Kherapati | Manish Agrawal | D♭ Major | 7 | 3B | 180 BPM | ||
| Jija Sakra Mai Samhar Ke | Deshraj Pateriya, Munna Saini, Muneem Khan, Parvati Rajput | A♭ Major | 6 | 4B | 148 BPM | ||
| JIPSI JIPSI KYA KARO | Champe Khan | D♭ Major | 8 | 3B | 90 BPM | ||
| Din Jab Nikla Kiran Jo Futi | Brijesh Shastri | A Major | 7 | 11B | 98 BPM | ||
| Shiv Shankar Rakhwala | Osman Mir | E♭ Major | 6 | 5B | 111 BPM | ||
| Hariyar Doliya Me Lalka | Bharat Sharma | E♭ Minor | 7 | 2A | 149 BPM | ||
| Jambheswar Bhagwan Dyalu Sabki Laj Bchave | Swami Sachchidanand Acharya | F♯ Major | 9 | 2B | 75 BPM | ||
| Raja Mordhwaj Ki Jeevni, Pt. 5 | Ramniwas Rao | D♭ Major | 8 | 3B | 133 BPM | ||
| Ashik Ranghe Hir Pir | Koshinder Khadana, Rishipal, Karampal Sharma, Brampal, Ram Avtav, Manju | F Major | 6 | 7B | 126 BPM | ||
| Madho Hum Aise Tu Aisa | Hita Ambrish | C Major | 7 | 8B | 141 BPM | ||
| Kadi Aavo Padharo Mhare Desh | Khanak | F Minor | 8 | 4A | 96 BPM | ||
| Shree Hanuman Chalisa | Pankaj Mishra | A♭ Major | 5 | 4B | 158 BPM | ||
| Man Re Esa Satguru Joi | Bhajnanand Ji Maharaj | G Major | 7 | 9B | 112 BPM | ||
| guga peer ki pedi | Ashu Verma | E Major | 9 | 12B | 98 BPM | ||
| Char Khut Chorasi | Nimbaram Dewasi Party | A♭ Major | 8 | 4B | 106 BPM | ||
| Nenkiya Balak | Nimbaram Dewasi Party | A♭ Major | 8 | 4B | 106 BPM | ||
| Lal Langoto Haath Main Soto | Manish Tiwari | F♯ Major | 4 | 2B | 131 BPM |