"Those Behind Us That We Follow" by Benjamin Bertrand, Ben Bertrand had its release date on March 16, 2020. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Benjamin Bertrand, Ben Bertrand's "Manes" album is number 2 out of 5. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Those Behind Us That We Follow is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Those Behind Us That We Follow by Benjamin Bertrand, Ben Bertrand to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Blue of Distance | Elori Saxl | C Major | 1 | 8B | 101 BPM | ||
| Play The Ghost | Sarah Davachi | B Minor | 1 | 10A | 78 BPM | ||
| Kimona II | Christina Vantzou, Lieselot de Wilde, Margaret Hermant, Ben Bertrand | F Minor | 3 | 4A | 59 BPM | ||
| Angel's Flight | Biosphere | D♭ Major | 3 | 3B | 142 BPM | ||
| Lauda for Bass Clarinet and Drone | Ben Bertrand | B♭ Major | 0 | 6B | 72 BPM | ||
| Insulation Mix (After G.F. Handel's Messiah) | Scanner | E Minor | 2 | 9A | 132 BPM | ||
| Low Land | Shida Shahabi | A Major | 1 | 11B | 125 BPM | ||
| Reach Out | Ben Bertrand, Manah Depauw | D Major | 0 | 10B | 73 BPM | ||
| Shirley to Shirley | Felicia Atkinson | A Minor | 3 | 8A | 80 BPM | ||
| Demetra | Cucina Povera | G Minor | 0 | 6A | 180 BPM | ||
| Dawning and Wind | Shida Shahabi | C Major | 0 | 8B | 74 BPM | ||
| Displaced | Dirty Beaches | G Minor | 5 | 6A | 124 BPM | ||
| Refuge/Refuse | Rafael Anton Irisarri | F♯ Major | 2 | 2B | 72 BPM | ||
| Til A Mermaid Drags You Under | Mary Lattimore | A♭ Major | 3 | 4B | 123 BPM | ||
| Moments In Love | Kara-Lis Coverdale | C Minor | 1 | 5A | 73 BPM | ||
| Almost Beautiful | Anna Homler, The Pylon King, Voices Of Kwahn | F Minor | 1 | 4A | 54 BPM | ||
| Existing Closer or Deeper in Space | Earthen Sea | B Minor | 2 | 10A | 129 BPM | ||
| Wolf Hour | Justina Jaruševičiūtė | D Minor | 2 | 7A | 69 BPM | ||
| Vi är överallt | Orphan Ann | A Major | 3 | 11B | 115 BPM | ||
| I'm Not Much, But I'm All I Have | Worriedaboutsatan | C Major | 4 | 8B | 68 BPM | ||
| Inner Hunt | Murcof | G Major | 4 | 9B | 100 BPM | ||
| Stanko | Dictaphone | B Minor | 2 | 10A | 90 BPM | ||
| Rooftop | Tujiko Noriko | B♭ Minor | 0 | 3A | 70 BPM | ||
| Interlude + Main Theme | Shida Shahabi | C Major | 1 | 8B | 70 BPM | ||
| Spectral Corridor, Pt. 4 | The House In the Woods, Pye Corner Audio | D Major | 0 | 10B | 80 BPM |