"Lover, You Should've Come Over" by Natalie Maines had its release date on May 3, 2013. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Natalie Maines's "Mother" album is number 5 out of 10. On top of that, United States appears to be the country where this track was created. In terms of popularity, Lover, You Should've Come Over is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lover, You Should've Come Over by Natalie Maines to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kandi | One Eskimo | E♭ Major | 7 | 5B | 90 BPM | ||
| Sisters Of Mercy | Beth Orton | A Major | 2 | 11B | 117 BPM | ||
| Go Your Own Way | The Cranberries | F Major | 9 | 7B | 139 BPM | ||
| Thunder Road | Sara Watkins | B♭ Major | 2 | 6B | 109 BPM | ||
| Life On Mars | Barbra Streisand | D♭ Major | 4 | 3B | 130 BPM | ||
| The Needle And The Damage Done | Laura Marling | G Major | 2 | 9B | 119 BPM | ||
| Real Good on My Own | Tift Merritt | A Major | 1 | 11B | 71 BPM | ||
| Low Road | Grace Potter & The Nocturnals | B♭ Major | 5 | 6B | 83 BPM | ||
| A Man Needs a Maid | Rumer | B Minor | 2 | 10A | 87 BPM | ||
| Can't You Hear Me Knocking | Abbie Cardwell | B♭ Major | 7 | 6B | 148 BPM | ||
| Been It - Live | The Cardigans | D♭ Major | 1 | 3B | 131 BPM | ||
| Boots of Spanish Leather | Nanci Griffith | A Major | 2 | 11B | 100 BPM | ||
| Won the Victory | UGONWA | B Major | 2 | 1B | 85 BPM | ||
| Chris Isaak | Lydia Loveless | A♭ Major | 8 | 4B | 124 BPM | ||
| Reservoir | Hem | E Major | 5 | 12B | 104 BPM | ||
| The Coast | Court Yard Hounds | C Major | 9 | 8B | 117 BPM | ||
| New Favorite | Alison Krauss & Union Station | B Minor | 1 | 10A | 170 BPM | ||
| I'd Run Away - Commentary | Natalie Maines | F♯ Major | 5 | 2B | 82 BPM | ||
| Remember Me This Way | Steve Martin, Edie Brickell | F Major | 4 | 7B | 91 BPM | ||
| Whatever We Are | Maia Sharp | E♭ Major | 3 | 5B | 125 BPM | ||
| Nowhere, Baby | The Secret Sisters | E♭ Major | 6 | 5B | 152 BPM | ||
| You Oughta Know - Acoustic | Alanis Morissette | E Minor | 4 | 9A | 182 BPM | ||
| Most Of The Time | Bettye LaVette | F Major | 4 | 7B | 133 BPM | ||
| Muscadine | Amy Ray, H.C. McEntire | G Major | 4 | 9B | 86 BPM | ||
| Think About Me | The New Pornographers | E Major | 8 | 12B | 130 BPM |