Don Adams's 'Too Many Chiefs - Countersign' had a release date set for January 1, 1966. The duration of This song is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Too Many Chiefs - Countersign's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Don Adams's "Get Smart" album is number 5 out of 14. On top of that, United States appears to be the country where this track was created. Too Many Chiefs - Countersign is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Too Many Chiefs - Countersign by Don Adams to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ten Days In Los Angeles | Ron White | B♭ Minor | 8 | 3A | 95 BPM | ||
| Wolf Pee Is Nothing To Sneeze At | John Caparulo | B♭ Major | 4 | 6B | 121 BPM | ||
| Sex In Moreland, Georgia | Lewis Grizzard | D♭ Major | 5 | 3B | 105 BPM | ||
| The White Cliffs of Dover | Billy Thorburn, Robinson Cleaver, Don Adams | D Major | 4 | 10B | 121 BPM | ||
| Bigot Representation | Andy Parsons | D Major | 3 | 10B | 72 BPM | ||
| 03 Carlito Dings An Audi | Phone Losers of America | D Major | 7 | 10B | 74 BPM | ||
| Jesus Christ Superstar | Eddie Izzard | F Major | 9 | 7B | 72 BPM | ||
| Hereditary Problem | Jethro | D♭ Major | 4 | 3B | 113 BPM | ||
| Thinking sideways | Billy Connolly | G Major | 4 | 9B | 83 BPM | ||
| Chalazion | Craig Ferguson | A Major | 7 | 11B | 117 BPM | ||
| Black/White | David Tyree | B♭ Minor | 9 | 3A | 122 BPM | ||
| Charlie Manson Was the Glue | Dale Jones | A Minor | 9 | 8A | 92 BPM | ||
| Drunk on Power and Capri Sun | Dave Weasel | G Major | 6 | 9B | 133 BPM | ||
| Cancer | Jim Gaffigan | D♭ Major | 7 | 3B | 102 BPM | ||
| Out First (ACA 1993) | George Carlin | F Major | 8 | 7B | 119 BPM | ||
| Minivan - Live | Clayburn Cox | D♭ Major | 6 | 3B | 82 BPM | ||
| Being brave | Billy Connolly | F Minor | 4 | 4A | 154 BPM | ||
| Waiting Around | Patrice O'Neal | F♯ Major | 8 | 2B | 79 BPM | ||
| Jesus & The Pope | Mock the Week | B♭ Major | 3 | 6B | 105 BPM | ||
| The Bus | David Tyree | F♯ Major | 8 | 2B | 65 BPM | ||
| Scunthorpe Baths | Jasper Carrott | F♯ Major | 9 | 2B | 66 BPM | ||
| When I Come Marching Home | Don Adams | C Major | 3 | 8B | 126 BPM | ||
| Homesick | Jethro | G Major | 7 | 9B | 117 BPM | ||
| The Road is Lonely | Shane Torres | D♭ Major | 4 | 3B | 80 BPM | ||
| My Father's a Travelling Salesman | Stewart Francis | A Major | 6 | 11B | 141 BPM |