Rose Murphy's ' "You Were Meant For Me" was released on its scheduled release date, 1957. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. You Were Meant For Me's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Not Cha-Cha But Chi-Chi". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. You Were Meant For Me is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With You Were Meant For Me by Rose Murphy having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cecilia | Jonah Jones | F Minor | 3 | 4A | 163 BPM | ||
| Is This Love | THE SCHWINGS BAND, migloko | F♯ Minor | 3 | 11A | 198 BPM | ||
| Twisted | Lambert, Hendricks & Ross | F Major | 7 | 7B | 83 BPM | ||
| Avalon | The Bryan Ferry Orchestra | C Major | 5 | 8B | 84 BPM | ||
| I Wanna Be Like You | Kenny Ball & His Jazzmen | F Minor | 5 | 4A | 203 BPM | ||
| Eight, Nine and Ten | Gordon Webster, Hetty Kate | E♭ Major | 4 | 5B | 176 BPM | ||
| Oh Look at Me Now | Lee Wiley | D♭ Major | 1 | 3B | 89 BPM | ||
| Jeep's Blues | Johnny Hodges & His Orchestra | B♭ Major | 2 | 6B | 83 BPM | ||
| None of My Jelly Roll | Sweet Emma Barrett | G Major | 3 | 9B | 138 BPM | ||
| Shout 'Em Aunt Tillie | Chris Barber's Jazz Band | D Minor | 5 | 7A | 169 BPM | ||
| The Lemonade Song | Pink Martini, China Forbes, Thomas Lauderdale | C Major | 4 | 8B | 117 BPM | ||
| Positively Absolutely | The Six Jumping Jacks | G Major | 2 | 9B | 102 BPM | ||
| Trouble In Mind | Hailey Tuck | A Major | 3 | 11B | 86 BPM | ||
| The Beat Goes On - Live At Chez Club, Hollywood/1966/Remix | Buddy Rich Big Band | A Minor | 9 | 8A | 158 BPM | ||
| Work Song | Oscar Brown, Jr. | D♭ Minor | 6 | 12A | 145 BPM | ||
| On Revival Day - Mono | LaVern Baker | D♭ Major | 5 | 3B | 144 BPM | ||
| I Feel Pretty | Annie Ross, Gerry Mulligan Quartet | G Minor | 4 | 6A | 80 BPM | ||
| Kinda Blue and Low | Nellie Lutcher | E Minor | 1 | 9A | 85 BPM | ||
| When I Get Low I Get High | Lucy Dixon, Steve Argüelles | B♭ Minor | 5 | 3A | 86 BPM | ||
| Jack, You're Dead | Louis Jordan & His Tympany Five | A♭ Major | 4 | 4B | 92 BPM | ||
| Swingin' On Nothing | Hep Chaps | G Minor | 4 | 6A | 97 BPM | ||
| In The Background | French Jazz Cafe | C Major | 1 | 8B | 110 BPM | ||
| Sweet Jazz Music | Jelly Roll Morton | B♭ Major | 2 | 6B | 86 BPM | ||
| My Man Stands Out | Julia Lee & Her Boyfriends | E♭ Major | 2 | 5B | 80 BPM | ||
| Sukiyaki Cha Cha | Slim Gaillard | G Major | 3 | 9B | 124 BPM |