Ted Nash's ' "Shot in the Dark" was released on its scheduled release date, 2008. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "The Mancini Project". In this album, this song's track order is #4. Based on our statistics, Shot in the Dark's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Shot in the Dark by Ted Nash having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If I Should Lose You | Claudia Thompson, Barney Kessel, Benny Carter, Red Mitchell, Ted Nash | B♭ Minor | 1 | 3A | 93 BPM | ||
| Hushed Jazz Tales | Jazz Cafè | B♭ Minor | 5 | 3A | 157 BPM | ||
| Blues on the Beach | Lisa Hilton | F Major | 1 | 7B | 133 BPM | ||
| Aspiration | Orión Natera | A♭ Major | 3 | 4B | 98 BPM | ||
| Fulfillment | Orión Natera | D Major | 5 | 10B | 135 BPM | ||
| Beloving | Trio X of Sweden | C Minor | 4 | 5A | 128 BPM | ||
| What a Wonderful World | Jimmy Heath | B♭ Major | 4 | 6B | 104 BPM | ||
| Lila | Ivan Paduart | C Minor | 3 | 5A | 99 BPM | ||
| As light retreats | Mabon Clarke Quartet | E♭ Major | 0 | 5B | 93 BPM | ||
| Loss' Lullaby | Jazzton | C Major | 5 | 8B | 99 BPM | ||
| Sing Sing | Dave Douglas | B♭ Major | 4 | 6B | 104 BPM | ||
| Migration Series: Interlude No. 2 - III. A Rumor | Derek Bermel, Ted Nash, Juilliard Jazz Orchestra, Albany Symphony Orchestra, David Alan Miller | G Major | 2 | 9B | 102 BPM | ||
| Hazeltine Beach | The Groove Trio | B♭ Major | 1 | 6B | 109 BPM | ||
| You Call It Madness | Claudia Thompson, Barney Kessel, Benny Carter, Red Mitchell, Ted Nash | E Minor | 0 | 9A | 67 BPM | ||
| Fast and Largo | Gorka Benítez, Moisés P. Sánchez, Jeff Ballard, Michael Formanek | E♭ Major | 3 | 5B | 73 BPM | ||
| Two for the Road | Ted Nash | B♭ Major | 3 | 6B | 96 BPM | ||
| A Wine to Ease the Pain | Smoke & Sonata | B♭ Major | 4 | 6B | 104 BPM | ||
| Gypsy | Lluis Capdevila, Petros Klampanis, Luca Santaniello | A Minor | 0 | 8A | 74 BPM | ||
| Swan Song | Ben Allison, Steve Cardenas, Ted Nash | A♭ Minor | 4 | 1A | 95 BPM | ||
| Goodbye | Claudia Thompson, Barney Kessel, Benny Carter, Red Mitchell, Ted Nash | E♭ Minor | 0 | 2A | 47 BPM | ||
| Things | Göteborg Jazz Orchestra, Nils Landgren | F Major | 5 | 7B | 204 BPM | ||
| Waltz For Mia | Louie Bellson, Ted Nash, Marvin Stamm, Derek Smith, Jay Leonhart | F Major | 2 | 7B | 137 BPM | ||
| Entrada | Wolfgang Lackerschmid, Helio Alves, Nilson Matta, Duduka Da Fonseca, The Brazilian Trio | B♭ Major | 4 | 6B | 104 BPM | ||
| Upon Stars | Aelor Finn | B♭ Major | 4 | 6B | 104 BPM | ||
| Close | The Nordic Collective | F Major | 1 | 7B | 98 BPM |