Dizzy Gillespie's ' "The Last Stroke Of Midnight" was released on its scheduled release date, January 1, 1977. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 8 in Free Ride by Dizzy Gillespie. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Last Stroke Of Midnight is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of The Last Stroke Of Midnight by Dizzy Gillespie is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lunarputians | Billy Cobham | G Major | 6 | 9B | 109 BPM | ||
| Stolen Moments | Oliver Nelson | C Minor | 2 | 5A | 107 BPM | ||
| Siddhartha | Art Farmer | D Minor | 4 | 7A | 137 BPM | ||
| Xibaba | Cal Tjader | C Minor | 3 | 5A | 78 BPM | ||
| ジェントル・ウェイヴ | 稲垣次郎とソウル・メディア | G Minor | 3 | 6A | 112 BPM | ||
| Amazonas | Cal Tjader | C Minor | 3 | 5A | 78 BPM | ||
| Peer Pressure | The Whole Thing | G Minor | 5 | 6A | 116 BPM | ||
| Ginseng Woman | Eric Gale | A Minor | 6 | 8A | 107 BPM | ||
| Love For Brother Jack | John Handy | D♭ Major | 9 | 3B | 119 BPM | ||
| Lost On 23rd Street | Johnny "Hammond" Smith | E♭ Minor | 6 | 2A | 138 BPM | ||
| Forty Days | The Heritage Orchestra, Jules Buckley, Ghost-Note | G Major | 5 | 9B | 106 BPM | ||
| Actual Proof | Herbie Hancock | B♭ Minor | 8 | 3A | 129 BPM | ||
| The Two-Headed Freap | Ronnie Foster | F Minor | 5 | 4A | 134 BPM | ||
| Gibraltar | Stanley Turrentine | F Major | 6 | 7B | 91 BPM | ||
| Palms | Yoni Mayraz | G Minor | 8 | 6A | 150 BPM | ||
| Rebop | Gene Harris | F Major | 7 | 7B | 107 BPM | ||
| Fat Albert Rotunda | Herbie Hancock | B♭ Minor | 7 | 3A | 100 BPM | ||
| The Golden Rod | Roy Ayers Ubiquity | F Major | 8 | 7B | 131 BPM | ||
| Tell Me a Bedtime Story | Herbie Hancock | E Minor | 5 | 9A | 119 BPM | ||
| ザ・グランド・フォー・ピース | 稲垣次郎とソウル・メディア | A Major | 5 | 11B | 113 BPM | ||
| Krustikal | Triorität | D Major | 8 | 10B | 172 BPM | ||
| Fickle Funk | Chick Corea | B♭ Minor | 8 | 3A | 142 BPM | ||
| Red Baron | Billy Cobham | G Major | 4 | 9B | 84 BPM | ||
| Happy 'Cause I'm Goin' Home | Charles Earland | D Minor | 9 | 7A | 168 BPM | ||
| Odds On | Charles Kynard | E♭ Major | 4 | 5B | 173 BPM |