"Cycle 2" by Matt Dunkley had its release date on March 25, 2016. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 3 in Cycles EP by Matt Dunkley. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Cycle 2 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cycle 2 by Matt Dunkley is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lovers (Mei and Jin) | Shigeru Umebayashi, Bi Xiaodi, Shuai Wang | E Minor | 3 | 9A | 77 BPM | ||
| Horses | A.R. Rahman, Matt Dunkley, Czech Film Orchestra | A Major | 3 | 11B | 110 BPM | ||
| Caucasian Sketches Op. 10: Procession of the Sardar | Mikhail Ippolitov-Ivanov, Maksim/Tim Bran/Pete Lockhart/Nabil Kalibi/Royal Philharmonic Orchestra/Matt Dunkley, Matt Dunkley, Royal Philharmonic Orchestra | B Major | 8 | 1B | 164 BPM | ||
| Cycle 13 | Matt Dunkley | C Minor | 2 | 5A | 80 BPM | ||
| Creatures | Marc Streitenfeld | A Minor | 4 | 8A | 110 BPM | ||
| Horse Power Main Theme | Barnaby Taylor | B Minor | 1 | 10A | 139 BPM | ||
| Fantasias Irrechazables | Sirenas Celestiales | F Minor | 1 | 4A | 76 BPM | ||
| Referencias | Emanuela Dellana | G Minor | 2 | 6A | 167 BPM | ||
| Duck Shoot | Rupert Gregson-Williams | D Minor | 1 | 7A | 120 BPM | ||
| Giverny Rapsody | Remo Anzovino | F♯ Minor | 3 | 11A | 135 BPM | ||
| Starlight | Steve Hackett, Royal Philharmonic Orchestra, Matt Dunkley | D Major | 0 | 10B | 90 BPM | ||
| Amor en la Imaginacion | Ninfas De Ultramar | B Minor | 1 | 10A | 139 BPM | ||
| The Poisoning | Matt Dunkley | B♭ Minor | 2 | 3A | 130 BPM | ||
| Aramis' Confessional | Matt Dunkley | D♭ Minor | 0 | 12A | 90 BPM | ||
| Fellowship | Thomas Newman, Thomas Bowes, London Voices, Ben Parry, Terry Edwards, Grace Davidson, George Doering, Phil Todd, Sonia Slany, Paul Clarvis, Nick Cooper, Andrew Cronshaw | G Minor | 2 | 6A | 81 BPM | ||
| Next To My Diary | Ria Mbanefo | B♭ Major | 3 | 6B | 85 BPM | ||
| Rosetta | Vangelis | D♭ Minor | 2 | 12A | 83 BPM | ||
| Soul of My Song | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | A Minor | 2 | 8A | 114 BPM | ||
| Sayuri's Theme and End Credits | John Williams, Itzhak Perlman, Yo-Yo Ma | C Minor | 2 | 5A | 124 BPM | ||
| Aerial | Johannes Bornlöf | F♯ Minor | 3 | 11A | 88 BPM | ||
| Unidas en La Victoria | Asklepios | A Minor | 4 | 8A | 90 BPM | ||
| Victoria Titles | Martin Phipps, Mediæval Bæbes | F♯ Minor | 2 | 11A | 77 BPM | ||
| Sarakiz: II. Romanza | Karl Jenkins, Marat Bisengaliev, London Symphony Orchestra | D Minor | 2 | 7A | 97 BPM | ||
| Foreign Pastures | Universal Production Music, Matt Dunkley | A Major | 3 | 11B | 110 BPM | ||
| The Banquet (Theme Music) - From "The Banquet" Original Soundtrack | Tan Dun, Susan Botti, Lang Lang, Shanghai Symphony Orchestra, Gao Jian, Shanghai Opera House Chorus | C Major | 3 | 8B | 120 BPM |