Pini di Roma (The Pines of Rome): II. Pini presso una catacomba by Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia Song Details

"Pini di Roma (The Pines of Rome): II. Pini presso una catacomba" by Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia had its release date on June 27, 2007. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Respighi: Fontane di Roma, Pina di Roma, Feste Romane & Il Tramonto". In this album, this song's track order is #6. In terms of popularity, Pini di Roma (The Pines of Rome): II. Pini presso una catacomba is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Pini di Roma (The Pines of Rome): II. Pini presso una catacomba by Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.

Music Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 12%
Loudness: -23.683 dB
Acousticness: 83%
Danceability: 16%
Energy: 1%
Instrumentalness: 93%
Liveness: 10%
Loudness: 61%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Intermezzo In E Flat Major, Op. 117 No. 1	Johannes Brahms, Kun-Woo Paik	D♭ Major	0	3B	71 BPM
Les noces de Jeanette: Air du rossignol (Arr. Pierre for Flute & Orchestra)	Victor Massé, Patrick Gallois, Richard Friedman, Fabrice Pierre, London Festival Orchestra, Ross Pople	A♭ Major	1	4B	135 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
Berceuse, S. 174	Franz Liszt, Benjamin Grosvenor	D♭ Major	0	3B	136 BPM
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble)	Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists	B♭ Major	1	6B	115 BPM
6 Pezzi, P. 44: No. 1. Valse Caressante	Ottorino Respighi, Konstantin Scherbakov	E♭ Major	1	5B	70 BPM
Fantasia Gaelach No. 1	Archibald James Potter, RTÉ National Symphony Orchestra, Robert Houlihan	A♭ Major	0	4B	89 BPM
Poulenc: Cello Sonata, FP 143: II. Cavatine	Francis Poulenc, Daniel Müller-Schott/Robert Kulek	F♯ Major	0	2B	77 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich	C Minor	0	5A	177 BPM
Violin Sonata in E Minor, P. 85: I. Allegro (After J.S. Bach's BWV 1023)	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	C Minor	1	5A	123 BPM
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato	Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung	E Major	1	12B	86 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
7 Preludes, Op. 17: No. 3 in D-Flat Major	Alexander Scriabin, Maria Lettberg	B Major	0	1B	72 BPM
Adoration (Arr. for Cello & Orchestra by Julian Riem)	Florence Beatrice Price, Raphaela Gromes, Lucerne Festival Strings, Daniel Dodds	G Major	1	9B	86 BPM
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto	Fanny Mendelssohn, Beatrice Rauchs	G Minor	1	6A	107 BPM
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: V. Siciliana	Ottorino Respighi, Konstantin Scherbakov	B Minor	0	10A	126 BPM
Piece en forme de habanera (arr. N. Mercz): Vocalise-etude en forme de habanera	Nora Mercz, Maurice Ravel, Janos Balint	G Minor	0	6A	70 BPM
II. Carol	Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei	C Minor	0	5A	128 BPM
Lyric Pieces, Book VI, Op. 57: No. 6, Hjemve. Andante	Edvard Grieg, Javier Perianes	E Minor	0	9A	166 BPM
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
5 Pieces, Op. 75, "The Trees": No. 3 Aspen	Jean Sibelius, Håvard Gimse	A♭ Minor	0	1A	0 BPM
3 Romances, Op. 11: No. 1, Andante	Clara Schumann, Isata Kanneh-Mason	E♭ Minor	0	2A	127 BPM
Iphigenie en Aulide, Act II: Gavotte (Arr. J. Brahms)	Christoph Willibald Gluck, Matti Raekallio	A Major	0	11B	172 BPM
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	B♭ Major	0	6B	82 BPM
Phantasy Quintet: III. Alla Sarabanda: Lento	Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet	E♭ Minor	10	2A	123 BPM