Shailendra Kumar's 'Shloka' had a release date set for October 21, 1985. With This song being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Shree Ganesh Vandana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Shloka is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Shloka by Shailendra Kumar having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Holiya Me Choliya Karada Lamination | Shailendra Kumar | B♭ Major | 5 | 6B | 92 BPM | ||
| Aate na vah pardesh jo gurudev ke aakar me rehta andhere hi andhere moh ka sansaar me | Sur Shyam Gaushala Rajendra Das ji Maharaj | E♭ Minor | 6 | 2A | 89 BPM | ||
| Pyara Hain Sai Ka Darbar | Vipin Sachdeva | A Minor | 6 | 8A | 103 BPM | ||
| Bajrangbali Meri Naav Chali | Rajkumar Vinayak | F Minor | 7 | 4A | 84 BPM | ||
| Awat Hohi Baba | Gorelal Barman, Ratan Sabiha | E Major | 6 | 12B | 152 BPM | ||
| Brundavan Me Kunj Bhavan Me | Swami Haridhos Giri Guruji | A Major | 6 | 11B | 177 BPM | ||
| Jeev Jeevan Jagat Mein | Rajesh Goswami | D Major | 10 | 10B | 116 BPM | ||
| Barsane Ki Chhori Radha Gori Gori | Nidhi Dholakia | E Major | 7 | 12B | 114 BPM | ||
| Payoji Maine Sai Ratan | Paras Jain | C Minor | 7 | 5A | 81 BPM | ||
| Mar Debo Goli Re | Rohit Rajdhani, Shailendra Babu, Shailendra Kumar | C Minor | 10 | 5A | 89 BPM | ||
| Hey Anjani Ke Lala | Sumeet Tappoo, Mayuresh Pai, Shekhar Astitwa | E♭ Minor | 7 | 2A | 154 BPM | ||
| Sai Charan Mein | Sai Bhajans | F♯ Minor | 6 | 11A | 82 BPM | ||
| Jaan | Naman Shrivastava, Shailendra Kumar | B♭ Major | 5 | 6B | 92 BPM | ||
| Bad Sukh Saar | Rajni Pallavi | E♭ Major | 5 | 5B | 100 BPM | ||
| Bala Ji Bhakto Ko Pyara Hai | Ramkumar Lakha, Kumar Vishu, Rakesh Kala, Narender Kaushik | F♯ Minor | 5 | 11A | 95 BPM | ||
| Aur Thoda Kareeb Ho Jata Ghazal - Live | Pujya Rajan Ji Official | E♭ Minor | 7 | 2A | 154 BPM | ||
| Classical Music | Sanjay Dutt | D Major | 8 | 10B | 80 BPM | ||
| Chala Re Chala Vinayak | Shailendra Kumar | F Major | 4 | 7B | 93 BPM | ||
| Rath Pe Chanda Ke | Kavita Krishnamurthy | D Major | 3 | 10B | 123 BPM | ||
| Dhadkawa Jani Chhatiya | Shailendra Kumar | E♭ Minor | 9 | 2A | 74 BPM | ||
| Darshan Deta Jayjo | Moinuddin Manchala | F Minor | 7 | 4A | 92 BPM | ||
| Mere Shankar Ji Hain Pyare | Raviraj Nasery | D♭ Major | 9 | 3B | 133 BPM | ||
| Chanda Se Bhi Sundar | Ranu Mukherjee, Gautam Mukherjee | F♯ Major | 9 | 2B | 110 BPM | ||
| Naiya Laga Do Bhav Paar | Dheera Ghosh | D♭ Major | 6 | 3B | 144 BPM | ||
| Har Saans Meri | Chitra Roy | E♭ Minor | 2 | 2A | 107 BPM |