"Verdi Prati" by Haendel, Mathieu Salama had its release date on November 6, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 15 in Airs de Castrat by Mathieu Salama. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Verdi Prati is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Verdi Prati by Haendel, Mathieu Salama is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Miserere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Minor | 1 | 10A | 166 BPM | ||
| Les Indes Galantes - Air pour les esclaves africains | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F Major | 2 | 7B | 76 BPM | ||
| Dido and Aeneas / Act 3: "With drooping wings" | Henry Purcell, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 0 | 11A | 176 BPM | ||
| Concerto No 5 in G minor - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Minor | 3 | 11A | 140 BPM | ||
| Cara Sposa - Live | Philippe Jaroussky, Ensemble Contraste | E Minor | 4 | 9A | 56 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Allegro moderato | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 4 | 12B | 106 BPM | ||
| Overture in G Minor: III. Aria. Presto | Giuseppe Antonio Brescianello, La Cetra Barockorchester Basel, David Plantier, Vaclav Luks | A Minor | 1 | 8A | 67 BPM | ||
| Concerto grosso No. 3 in D Minor: I. Largo andante (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | A♭ Major | 1 | 4B | 95 BPM | ||
| The Kingdom of Silence | Anastasiia Shevchenko | G Minor | 1 | 6A | 69 BPM | ||
| Violin Sonata in A Major, Op. 5 No. 6: I. Grave | Arcangelo Corelli, Enrico Onofri | G Major | 1 | 9B | 131 BPM | ||
| Oboe Concerto in C: 3. Siciliana | Domenico Cimarosa, Heinz Holliger, I Musici | A Minor | 1 | 8A | 84 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
| In furore iustissimae irae, RV 626: IV. Allegro | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B Minor | 2 | 10A | 125 BPM | ||
| Nais, RCT 49, Prologue, Scène V: Premier rigaudon - Deuxième rigaudon | Jean-Philippe Rameau, Teodor Currentzis | A♭ Major | 3 | 4B | 64 BPM | ||
| Concerto a cinque No. 5, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A♭ Minor | 1 | 1A | 97 BPM | ||
| Overture for 2 Violins and B.C. in A Major, Op. 13,5: II. Allegro | Jean-Marie Leclair, Musica Alta Ripa | F♯ Minor | 2 | 11A | 75 BPM | ||
| La Nuit Ballet: Le Roi représentant le soleils levant | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 111 BPM | ||
| Pergolesi: Stabat Mater: VI. Vidit suum dulcem Natum | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | E♭ Minor | 0 | 2A | 82 BPM | ||
| Le Bourgeois Gentilhomme: Chaconne des scaramouches trivelins et arlequin | Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne | A Major | 2 | 11B | 69 BPM | ||
| Trumpet Concerto in D Major, TWV 51:D7: I. Adagio | Georg Philipp Telemann, Miroslav Kejmar, Capella Istropolitana, Peter Skvor | E♭ Major | 2 | 5B | 137 BPM | ||
| 12 Concerti Grossi, Op. 6, No. 2 in F Major: I. Vivace - Allegro | Arcangelo Corelli, Europa Galante, Fabio Biondi | E Major | 1 | 12B | 120 BPM | ||
| Salve Regina in C minor (1736): 4. Et Jesum | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 95 BPM | ||
| Pergolesi: Stabat Mater in F Minor, P. 77: V. Quis est homo qui non fleret (Soprano - Alto) | Giovanni Battista Pergolesi, Il Seminario Musicale - Véronique Gens - Gérard Lesne | B♭ Minor | 1 | 3A | 71 BPM | ||
| Stabat Mater, RV621: 4. Quis est homo 5. Quis non posset 6. Pro peccatis | Antonio Vivaldi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 1 | 9A | 89 BPM | ||
| Żebrowski: Magnificat: II. Quia respexit | Marcin Józef Żebrowski, Jakub Józef Orliński, Jan Tomasz Adamus, Capella Cracoviensis | E♭ Major | 1 | 5B | 80 BPM |