George Yanagi's ' "真夜中のテレフォン・コール - Single Version; 2025 Remaster" was released on its scheduled release date, March 12, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in ゴールデン☆ベスト 柳ジョージ Warner Works, so we believe that "真夜中のテレフォン・コール - Single Version; 2025 Remaster" is a single. In terms of popularity, 真夜中のテレフォン・コール - Single Version; 2025 Remaster is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of 真夜中のテレフォン・コール - Single Version; 2025 Remaster by George Yanagi is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 雨の物語 | Iruka | B Minor | 5 | 10A | 117 BPM | ||
| アメリカン・フィーリング | CIRCUS | A♭ Major | 7 | 4B | 128 BPM | ||
| いっぱいキスしよう - Single Version | Kumiko Yamashita | F Major | 8 | 7B | 91 BPM | ||
| TIME STOP | Kome Kome Club | B Major | 3 | 1B | 68 BPM | ||
| かぞえきれない雨 | Yukadan | F♯ Minor | 6 | 11A | 123 BPM | ||
| 逆光線(シングル・オンリー) | Char | F Major | 8 | 7B | 184 BPM | ||
| 沖縄ベイ・ブルース | Downtown Boogie Woogie Band | G Major | 7 | 9B | 119 BPM | ||
| スプリンター・リフトバック | Godiego | G Major | 7 | 9B | 136 BPM | ||
| 気絶するほど悩ましい | Char | A Minor | 3 | 8A | 114 BPM | ||
| Hold On Me | Kahoru Kohiruimaki | A♭ Minor | 9 | 1A | 125 BPM | ||
| 虹のひと部屋 | Seri Ishikawa | B♭ Major | 3 | 6B | 141 BPM | ||
| 旅的途上(たびのとじょう) | Eigo Kawashima | C Major | 2 | 8B | 69 BPM | ||
| そこからがパラダイス - 2012 Remaster | Masahiro Kuwana | A Minor | 5 | 8A | 132 BPM | ||
| 街の灯り | Masaaki Sakai | F Major | 5 | 7B | 77 BPM | ||
| 濡れた髪のLonely | Satoshi Ikeda | A Major | 6 | 11B | 113 BPM | ||
| 思えば遠くへ来たもんだ | Kaientai | B♭ Major | 7 | 6B | 88 BPM | ||
| 雨に泣いてる…… - 日本語ヴァージョン | George Yanagi And Rainywood | D Minor | 6 | 7A | 129 BPM | ||
| 氷のくちびる | Kai Band | B Minor | 7 | 10A | 152 BPM | ||
| VACANCY(空部屋) | George Yanagi | D Minor | 4 | 7A | 110 BPM | ||
| あなた - Single Version; 2018 Remaster | Akiko Kosaka | D♭ Major | 5 | 3B | 115 BPM | ||
| ダンシング・オールナイト | Monta & Brothers | G Minor | 6 | 6A | 74 BPM | ||
| 別涙(わかれ) | 因幡晃 | D♭ Minor | 4 | 12A | 98 BPM | ||
| サムライ (Single Version) | Kenji Sawada | E Minor | 5 | 9A | 184 BPM | ||
| 雨のバラード | 湯原昌幸 | F♯ Minor | 4 | 11A | 112 BPM | ||
| メモリーグラス | Jun Horie | D♭ Minor | 4 | 12A | 144 BPM |