John Williams's ' "Charlie's Demise" was released on its scheduled release date, 1972. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "The Cowboys (Original Motion Picture Soundtrack / Deluxe Edition)". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Charlie's Demise is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Charlie's Demise by John Williams having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The James Bond Theme (From "Dr. No") | John Barry | B Major | 6 | 1B | 130 BPM | ||
| The Jumanji Suite | Henry Jackman | D Major | 2 | 10B | 144 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| Severus and Lily | Alexandre Desplat | A Minor | 1 | 8A | 68 BPM | ||
| Saddest Part Of Day | Craig Armstrong | C Major | 1 | 8B | 110 BPM | ||
| Indiana Jones and the Temple of Doom | Royal Philharmonic Orchestra | B♭ Major | 6 | 6B | 176 BPM | ||
| Main Title | Elmer Bernstein | A Major | 0 | 11B | 78 BPM | ||
| The Room of Requirements | Nicholas Hooper | C Major | 1 | 8B | 156 BPM | ||
| Main Titles - The Little Mermaid | Alan Menken, Disney | G Major | 2 | 9B | 86 BPM | ||
| Kokiri Forest (from "The Legend of Zelda: Ocarina of Time") | Luke Pickman | D♭ Major | 2 | 3B | 150 BPM | ||
| As Far As Florence | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 1 | 10B | 73 BPM | ||
| A New Home | John Williams | B♭ Major | 1 | 6B | 81 BPM | ||
| The Mandalorian - Orchestral Version | Ludwig Göransson | D Minor | 2 | 7A | 83 BPM | ||
| Secrets of the Castle | John Williams | D Minor | 0 | 7A | 57 BPM | ||
| Rivendell | Howard Shore | C Major | 1 | 8B | 87 BPM | ||
| The Room of Requirement | J Scott Rakozy, Hogwarts Legacy | G Major | 3 | 9B | 87 BPM | ||
| A Tree For My Bed | John Williams | D Major | 0 | 10B | 132 BPM | ||
| The Arrival of Baby Harry | John Williams | E Minor | 0 | 9A | 81 BPM | ||
| First Class | Henry Jackman | B♭ Major | 5 | 6B | 113 BPM | ||
| Ceremony of the Sunstones | Trevor Jones | D Major | 2 | 10B | 108 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| No Sacrifice, No Victory | Steve Jablonsky | G Minor | 5 | 6A | 80 BPM | ||
| Meet Luca | Dan Romer | C Minor | 2 | 5A | 87 BPM | ||
| Lily's Theme | Alexandre Desplat | F♯ Major | 0 | 2B | 73 BPM | ||
| Baby Walks | David Newman | G Major | 3 | 9B | 118 BPM |