Nanci Griffith's 'Beacon Street' had a release date set for January 1, 1987. The duration of This song is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Beacon Street's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nanci Griffith's "Lone Star State Of Mind" album is number 4 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, Beacon Street is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of Beacon Street by Nanci Griffith to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Your Sweet and Shiny Eyes - 2008 Remaster | Bonnie Raitt | D Major | 3 | 10B | 78 BPM | ||
| Heart Like a Wheel | Kate & Anna McGarrigle | E♭ Major | 1 | 5B | 148 BPM | ||
| Avalanche | Beth Nielsen Chapman | D Major | 2 | 10B | 103 BPM | ||
| I Keep Coming Back to You | Beth Nielsen Chapman | D Major | 4 | 10B | 172 BPM | ||
| Clear Blue Eyes | Amos Lee | F♯ Major | 4 | 2B | 114 BPM | ||
| Sweet October | Aoife Scott | B Major | 1 | 1B | 136 BPM | ||
| She's Lazy | Sinéad Lohan | B Major | 3 | 1B | 121 BPM | ||
| Tomorrow Is A Long Time | Sandy Denny | E Major | 3 | 12B | 133 BPM | ||
| Anyone Can Be Somebody's Fool | Nanci Griffith | B♭ Major | 3 | 6B | 147 BPM | ||
| Easy's Gettin' Harder Every Day | Iris DeMent | C Major | 0 | 8B | 80 BPM | ||
| Molly Bán (Bawn) | The Chieftains | F Major | 3 | 7B | 134 BPM | ||
| He Came To Meet Me | Hem | B Major | 3 | 1B | 133 BPM | ||
| Guinevere | Lucy Kaplansky | A Major | 2 | 11B | 77 BPM | ||
| Caffeinated Warriors | Antje Duvekot | B Major | 2 | 1B | 146 BPM | ||
| Double Cross | Mary Coughlan | D Major | 1 | 10B | 97 BPM | ||
| The Gift | Lucy Kaplansky | G Major | 3 | 9B | 78 BPM | ||
| Wild Roses | Kimmie Rhodes | D Major | 1 | 10B | 103 BPM | ||
| More Than A Whisper | Nanci Griffith | F Major | 3 | 7B | 135 BPM | ||
| Too Many Memories - (feat. Emmylou Harris) | Tom Rush | E Major | 4 | 12B | 91 BPM | ||
| Talk to Me While I'm Listening | Frances Black | A Major | 1 | 11B | 71 BPM | ||
| Western Highway | Maura O'Connell | D Major | 2 | 10B | 155 BPM | ||
| The Matador | Gretchen Peters | C Major | 1 | 8B | 82 BPM | ||
| Asking For Flowers | Kathleen Edwards | A Major | 7 | 11B | 112 BPM | ||
| From Clare to Here | Nanci Griffith | G Major | 3 | 9B | 116 BPM | ||
| Never Be The Sun | Dolores Keane | C Major | 1 | 8B | 74 BPM |