Pawan's ' "Chanda Re Mor Chanda" was released on its scheduled release date, August 12, 2019. This song is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The song is number 1 out of 4 in Chand Tara(Adhunik Nagpuri) by Pawan, Pankaj,Monika. Going off of the ISRC code of this track, we detected that the origin of this track is from India. The popularity of Chanda Re Mor Chanda is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Chanda Re Mor Chanda by Pawan is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phool Manga Na Bahar Manga | Mitali, Vishnu | D♭ Major | 9 | 3B | 132 BPM | ||
| Lal Saag | Kumar Pritam | C Major | 9 | 8B | 148 BPM | ||
| Kalcatta Shahare Tani Mani Badri Guiya | Pawan | B♭ Major | 9 | 6B | 139 BPM | ||
| Jab Se Dekhlo | Nagpuri Deewana | A Minor | 10 | 8A | 160 BPM | ||
| Goriya Re Tor Pyar Me | Anish Mahli | D♭ Major | 7 | 3B | 94 BPM | ||
| Aayijya Bhangoriya | Sohan Bhai Rajawat, Mahi Dawar | A Major | 9 | 11B | 128 BPM | ||
| Nazar Mein Tum Jigar Mein Tum | Vicky Kachhap | A♭ Minor | 7 | 1A | 125 BPM | ||
| Anisha Monika Jyoti | Pritam Kumar | A♭ Minor | 10 | 1A | 138 BPM | ||
| E Kareja Hota Nahi | Pawan Singh, Bobby Dutta | D♭ Major | 10 | 3B | 155 BPM | ||
| Asamina ki saugat | Asmeena Mewati | A Major | 8 | 11B | 120 BPM | ||
| Aj Kal Kar Chodi Man Choda Bnana | Nagpuri Masti | B Minor | 9 | 10A | 147 BPM | ||
| Surtu Lala | Gajendra Rana, Meena Rana | G Major | 5 | 9B | 146 BPM | ||
| Hopon May | STEPHAN TUDU, MONIKA BESRA | B♭ Major | 9 | 6B | 173 BPM | ||
| Jagda Jhirpani 2 | Sharwan SS, Christofer, Radha | E Minor | 6 | 9A | 137 BPM | ||
| Mauha Noho Jo Mata Jabe | ANJALI CHAUHAN, Dilip Ray | F♯ Minor | 8 | 11A | 145 BPM | ||
| HAMKE TO OHEY CHAHI | Kailash Munda, Manisha Yadav | F♯ Major | 7 | 2B | 150 BPM | ||
| A Guiya Sun To | Chhotelal Oraon, Barkha Baraik | D♭ Major | 9 | 3B | 135 BPM | ||
| Mahuwa Mahuwa ka kairdele | Chinta Devi, Sarita Devi | D♭ Major | 6 | 3B | 123 BPM | ||
| Milo Milo Kahti Ho | Chhotelal Oraon | B Major | 10 | 1B | 140 BPM | ||
| Teri Jaise Hasina 36 Aayagi | Kumar Pritam, Suman Gupta | F♯ Minor | 8 | 11A | 150 BPM | ||
| Bimla Tanduli Ki Taand | Manglesh Dangwal | E Minor | 9 | 9A | 100 BPM | ||
| Traditional Saree | BP Singh, Nirmala Soren | G Major | 7 | 9B | 150 BPM | ||
| Aisan Deewanapan | Nitesh Kachhap, Nilam Topno | F Minor | 9 | 4A | 90 BPM | ||
| He Chala Aayo | Shilpa Xalxo, Ranjeet Lakra, Indu Oraon | D♭ Major | 8 | 3B | 105 BPM | ||
| Akhri Pal Biti Gal Aoa Rani | Nagpuri Masti | D♭ Major | 9 | 3B | 130 BPM |