Uma Rana, Sanjay, Kumola, Meena Rana's ' "A Raha Ki" was released on its scheduled release date, January 17, 2022. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The track order of this song in Uma Rana's "Go Kanyadaan" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. The popularity of A Raha Ki is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of A Raha Ki by Uma Rana, Sanjay, Kumola, Meena Rana to be Presto (very, very fast) because the track has a tempo of 179 BPM, a half-time of 90BPM, and a double-time of 358 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jab radha aadhi rata - pahari | Lalit Mohan Joshi | D♭ Major | 9 | 3B | 113 BPM | ||
| Raajuli Maalusai | Preetam Bhartwan | F♯ Minor | 7 | 11A | 104 BPM | ||
| Nache Nandlal | Padmaram, Mahesharam | A♭ Major | 4 | 4B | 77 BPM | ||
| Vaishno Devi Aarti | Maaruti Mohataa | E♭ Major | 8 | 5B | 88 BPM | ||
| Kanak Bhawan Darwaje Pade Raho | Swami Rajeshwaranand | D♭ Major | 7 | 3B | 132 BPM | ||
| Kaanch Hi Baans Ke Bahangiya | Meena Rana, Uma Rana, Manisha, Sateshwari, Ratna | B♭ Major | 9 | 6B | 130 BPM | ||
| Kya Chhaiyan Babji (Baraat Aun Per) | Mangala Rawat, Uma Rana, Kalpeshwari | A♭ Major | 8 | 4B | 152 BPM | ||
| Pejavi | Tarun, Ridhima | A Minor | 8 | 8A | 143 BPM | ||
| Namoh Hari Aanand | Sudhanshu, Sarita Joshi | A♭ Major | 8 | 4B | 80 BPM | ||
| Chhana Bilori | Gopal Babu Goswami | D♭ Major | 6 | 3B | 96 BPM | ||
| Har Har Marunga | Prahlad Singh Tipaniya, Devnarayan Saroliya, Ajay Tipaniya | F♯ Major | 6 | 2B | 138 BPM | ||
| Hare Krishna Kirtan 8 | Sachi kumar Das | B Minor | 7 | 10A | 120 BPM | ||
| Hanuman Ji Ki Aarti | Baal Kishan Bunty, Maanya Arora, Dhvani Arora | F♯ Major | 7 | 2B | 96 BPM | ||
| Kalubai Majhya Dhavnyala Dhav | Chhagan choughule | D♭ Major | 7 | 3B | 114 BPM | ||
| Debango Khiloyno Be Laatu | Anuradha Nirala, Narendra Singh Negi, Meena Rana | E♭ Minor | 4 | 2A | 164 BPM | ||
| Maang Maa Syund | Omprakash Semwal, Meena, Uma Rana | B Minor | 3 | 10A | 189 BPM | ||
| Bouji Tanatan | Lalit Gityar | E Major | 7 | 12B | 116 BPM | ||
| Lab Pe Aati Hai Dua Banke Tamanna Meri Dua Prayer | Shubhangi Joshi | D♭ Minor | 4 | 12A | 88 BPM | ||
| Om Jai Jagdish Hare, Swami Jai Jagdish Hare | Shyam Saajan, Supriya | G Major | 2 | 9B | 132 BPM | ||
| Meri Jethi Sasu Bimla - Pahadi | Pappu Karki | F♯ Minor | 7 | 11A | 104 BPM | ||
| Saal Solwa Twe Bhawna | Jitendra Tomkyal, Meena Rana | A♭ Major | 9 | 4B | 175 BPM | ||
| Ke Patiya Lay Jayat Re | Rajni Pallavi | B♭ Minor | 5 | 3A | 110 BPM | ||
| Kanakambara Kamalasana | Ramakrishna Math, Monks of the Ramakrishna Order | C Minor | 4 | 5A | 97 BPM | ||
| Kahna Hoga Kuchh Kar Na Sake | Prem Bhushan Maharaj | B♭ Minor | 8 | 3A | 117 BPM | ||
| Thandi Thandi Chandi | Ranu Mukherjee | D Major | 3 | 10B | 123 BPM |