Scott Soper's ' "Holy, Holy, Holy (Traditional Style)" was released on its scheduled release date, April 4, 2011. With This song being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Scott Soper's "Mass of Awakening" album is number 5 out of 23. On top of that, United States appears to be the country where this track was created. Based on our statistics, Holy, Holy, Holy (Traditional Style)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Holy, Holy, Holy (Traditional Style) by Scott Soper to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Thank My God | Frank Andersen MSC | A Major | 2 | 11B | 84 BPM | ||
| Hosea | Gregory Norbet | F Major | 3 | 7B | 122 BPM | ||
| All Hail, Adored Trinity | Louis Bourgeois, Robert E. Kreutz | G Major | 1 | 9B | 96 BPM | ||
| Lord, Here I Am | Koro Dominiko | A Major | 3 | 11B | 146 BPM | ||
| For All the Saints | Trevor Thomson | D Major | 3 | 10B | 112 BPM | ||
| May the Road Rise Up | Tom Kendzia, Laura Quirke | G Major | 2 | 9B | 124 BPM | ||
| Unless a Grain of Wheat | Bob Hurd, Craig Kingsbury | A♭ Major | 1 | 4B | 76 BPM | ||
| We Walk By Faith | Marty Haugen | A Major | 3 | 11B | 67 BPM | ||
| Hosea | John Michael Talbot | C Major | 2 | 8B | 91 BPM | ||
| Tend the Ground | Curtis Stephan | A♭ Major | 3 | 4B | 74 BPM | ||
| Ubi Caritas | Solemne | D♭ Major | 2 | 3B | 81 BPM | ||
| I Received the Living God | Clément Jacob, The Cathedral Singers, Richard Proulx | C Major | 3 | 8B | 82 BPM | ||
| City of God | St. Louis Jesuits, Dan Schutte | E Major | 2 | 12B | 83 BPM | ||
| O How Blessed | Dan Schutte | D Major | 3 | 10B | 71 BPM | ||
| Immortal, Invisible, God Only Wise | Walter C. Smith | G Major | 3 | 9B | 147 BPM | ||
| Were You There | Scott Soper | D Major | 3 | 10B | 184 BPM | ||
| Ubi Caritas | Bob Hurd, Pedro Rubalcava | F Major | 2 | 7B | 122 BPM | ||
| Take up Your Cross | Charles W. Everest, Johann Sebastian Bach | E Minor | 2 | 9A | 80 BPM | ||
| Lord of All Hopefulness | Jan Struther, Randall DeBruyn | E♭ Major | 1 | 5B | 132 BPM | ||
| Come to the Water | John Foley, S.J | A♭ Major | 1 | 4B | 97 BPM | ||
| Lift High The Cross | The Festival Choir and Hosanna Chorus | G Major | 3 | 9B | 69 BPM | ||
| Veni, Sancte Spiritus | Christopher Walker | C Minor | 3 | 5A | 85 BPM | ||
| Behold the Cross | Bob Hurd, Anawim | E♭ Major | 1 | 5B | 87 BPM | ||
| Prayer of St. Frances | Angelina | B Major | 3 | 1B | 129 BPM | ||
| Only a Shadow | Carey Landry, Martha Lesinski, Louise Anderson | B♭ Major | 1 | 6B | 72 BPM |