Rohana Weerasinghe, Rashmi Sangeetha's ' "Ran Hasun (Live)" was released on its scheduled release date, November 27, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "Sudu Muthu Rala Pela (Live)". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Austria. Based on our statistics, Ran Hasun (Live)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ran Hasun (Live) by Rohana Weerasinghe, Rashmi Sangeetha having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Oya Susum Pawan | Nisal Sutheekshana | F Minor | 3 | 4A | 127 BPM | ||
| Devre Dilena | Janaka Wickramasinghe | D Major | 7 | 10B | 89 BPM | ||
| Hudekala Wiramayai | Asanka Priyamantha | G Minor | 5 | 6A | 137 BPM | ||
| Waradak Kalath | Sanath Nandasiri | F Minor | 6 | 4A | 171 BPM | ||
| Pembara Madu | Victor Rathnayake | E♭ Major | 5 | 5B | 120 BPM | ||
| Master Sir | Neela Wickramasinghe | B Minor | 6 | 10A | 119 BPM | ||
| Himi Sanaraamara - Radio Version | Malani Bulathsinhala | B♭ Minor | 3 | 3A | 79 BPM | ||
| Niyare Piyanagala - Original | Saman De Silva | E Minor | 4 | 9A | 99 BPM | ||
| Ansathu Wee Atha | Milton Mallawaarachchi | F Major | 4 | 7B | 132 BPM | ||
| Kohe Yanneda | Buddhika Athauda, Bandara Athauda, Malani Bulathsinhala | A Minor | 5 | 8A | 96 BPM | ||
| Amma Jeewana Uyanthere | Chandrasena Hettiarachchi | D Minor | 6 | 7A | 95 BPM | ||
| Me Nihanda Bawa - Piano Version | Miyuru Sangeeth, Rohana Weerasinghe, Taniya Panchali Amarasinghe | D♭ Minor | 4 | 12A | 120 BPM | ||
| Mage Lamada | Priya Sooriyasena | D Major | 3 | 10B | 95 BPM | ||
| Keena Dan Mitak | Milton Mallawarachchi | D Major | 7 | 10B | 102 BPM | ||
| Oya susum pawan | Chamara Weerasinghe | F Minor | 5 | 4A | 80 BPM | ||
| Sarayatiyen Api | Vijaya Kumaratunga | A Minor | 6 | 8A | 100 BPM | ||
| Mammula Wee | Gunadasa Kapuge | F Minor | 2 | 4A | 169 BPM | ||
| Veedi Kone | Milton Mallawaarachchi | C Major | 9 | 8B | 145 BPM | ||
| Sikuru Tharuwa | Edward Jayakody, Nanda Malini, Charitha Priyadarshani, Shriya Kariyawasam | A♭ Minor | 4 | 1A | 84 BPM | ||
| Unmada Wu Premadare | Kamal Addararachchi, Damayanthi Jayasooriya | D Minor | 5 | 7A | 97 BPM | ||
| Roopa Sobawata | Chandralekha Perera | E♭ Major | 7 | 5B | 146 BPM | ||
| Asurin Midela | Priya Sooriyasena | A Major | 6 | 11B | 126 BPM | ||
| Pabasara Ran | Mervin Perera | D Major | 6 | 10B | 91 BPM | ||
| Vikasitha Pathuman | Pavan Mallawarachchi | G Major | 5 | 9B | 120 BPM | ||
| Pawena Nil Walawe | W. D. Amaradeva | F Major | 5 | 7B | 119 BPM |