"At The End Of The Day" by Cara Rose had its release date on November 19, 2021. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Cara Rose's "How It Feels" album is number 7 out of 7. On top of that, France appears to be the country where this track was created. In terms of popularity, At The End Of The Day is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of At The End Of The Day by Cara Rose to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| wasted on me | francisco | D Major | 3 | 10B | 140 BPM | ||
| Piano Reverie (After Pachelbel's Canon in D Major, P. 37) | Moux | G Minor | 3 | 6A | 140 BPM | ||
| My Own Swollen Heart | Pilgrims, Paul Noonan, Brian Crosby | D Major | 3 | 10B | 140 BPM | ||
| Astar | Yael Deckelbaum | C Major | 3 | 8B | 157 BPM | ||
| Whiskey | GOODWIN | B Major | 2 | 1B | 112 BPM | ||
| Camille s'enfuit | Adrien Gallo | C Minor | 2 | 5A | 70 BPM | ||
| Santiago | Fabio Mazzini, Giovanni Tamburini | C Minor | 1 | 5A | 153 BPM | ||
| Light Rain | Vittorio Scalia | E♭ Major | 3 | 5B | 135 BPM | ||
| To Be Held | Strangers on a Bench, Augusta | A Major | 1 | 11B | 112 BPM | ||
| skydrops | Luca Mazzillo, Red Piano | D Major | 3 | 10B | 140 BPM | ||
| Like a Song | OSKA | D Major | 3 | 10B | 150 BPM | ||
| Eternal Flame | Au Revior Legs | C Major | 2 | 8B | 89 BPM | ||
| Spring | Cara Rose | A Major | 3 | 11B | 78 BPM | ||
| My Friend, Robin (Voice Memo) | Strangers on a Bench, Edward Cross | F Major | 0 | 7B | 84 BPM | ||
| Third Motion | Robert Gromotka, Jonas Hain | D Major | 3 | 10B | 140 BPM | ||
| I Miss You, I Do | Arny Margret | A Major | 3 | 11B | 144 BPM | ||
| Vårdröm | Nsee | B Minor | 1 | 10A | 110 BPM | ||
| The Gift Of Truth | Marcello Liverani | E♭ Major | 0 | 5B | 96 BPM | ||
| Safer Places | Chantal Acda, Bruno Bavota, Adam Wiltzie, Beatrijs De Klerck, Pavel Karlik, Gerd Van Mulders, Phill Brown, Niels Van Heertum | D Major | 3 | 10B | 140 BPM | ||
| On Broken Glass | Fjellson Weber | D Major | 3 | 10B | 140 BPM | ||
| Dear Me | Athalie | D Major | 3 | 10B | 140 BPM | ||
| Winter Sunrise | Lennart Büchner | D Major | 3 | 10B | 140 BPM | ||
| Nothing Worth Waiting for More | Fredrik Leonard | D Major | 3 | 10B | 140 BPM | ||
| Jour après jour | René Aubry | C Major | 2 | 8B | 120 BPM | ||
| Don't Have To Be Jolly | Cara Rose | D♭ Major | 4 | 3B | 117 BPM |