"Boy In The Backseat" by Alice Peacock had its release date on September 3, 2002. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 13 in Alice Peacock by Alice Peacock. Based on our statistics, Boy In The Backseat's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Boy In The Backseat by Alice Peacock is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Amelia | The Story | B♭ Major | 3 | 6B | 143 BPM | ||
| Fill Me Up | Shawn Colvin | G Major | 7 | 9B | 125 BPM | ||
| Giving It up for You | Holly Brook | E Major | 6 | 12B | 78 BPM | ||
| That's Just What You Are | Aimee Mann | B♭ Major | 8 | 6B | 93 BPM | ||
| Wonder - Remastered Single Version | Natalie Merchant | D♭ Major | 7 | 3B | 115 BPM | ||
| The Good Stuff | Schuyler Fisk | B Major | 8 | 1B | 114 BPM | ||
| Bitter | Jill Sobule | D Minor | 7 | 7A | 80 BPM | ||
| Let's Take Our Time | Ryan Cabrera | C Major | 8 | 8B | 92 BPM | ||
| World | Five For Fighting | F Major | 6 | 7B | 158 BPM | ||
| Quiet Between Us | Geraldine Beckans | E♭ Major | 4 | 5B | 81 BPM | ||
| Hand to Mouthville | Kacy Crowley | G Major | 7 | 9B | 109 BPM | ||
| Stay You | Wood | E Minor | 8 | 9A | 102 BPM | ||
| Heavy | Holly Brook | E♭ Major | 5 | 5B | 105 BPM | ||
| Truthfully | Lisa Loeb | A♭ Major | 4 | 4B | 101 BPM | ||
| Like Lovers Do | Heather Nova | C Major | 5 | 8B | 92 BPM | ||
| America | Bree Sharp | F Major | 9 | 7B | 122 BPM | ||
| As I Lay Me Down Deux | Sophie B. Hawkins | B♭ Major | 3 | 6B | 80 BPM | ||
| Your Own Backyard | Alice Peacock | F♯ Minor | 6 | 11A | 116 BPM | ||
| Real | Plumb | E♭ Major | 8 | 5B | 202 BPM | ||
| It's Alright | Dar Williams | A Major | 8 | 11B | 154 BPM | ||
| Sorry For Myself | Jann Arden | C Major | 5 | 8B | 95 BPM | ||
| Too Slow to Ride | Nina Gordon | A♭ Major | 8 | 4B | 76 BPM | ||
| Operator | Toby Lightman | C Major | 3 | 8B | 118 BPM | ||
| You And Tequila | Deana Carter | A Major | 4 | 11B | 144 BPM | ||
| One Big Love | Patty Griffin | A♭ Major | 8 | 4B | 164 BPM |