"Where Do I Begin" by Lesley Garrett, FILMharmonic Orchestra, Prague, Philip Ellis had its release date on January 1, 2007. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of When I Fall In Love by Lesley Garrett. The song's track number on the album is #4 out of 12 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Where Do I Begin is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Where Do I Begin by Lesley Garrett, FILMharmonic Orchestra, Prague, Philip Ellis has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Where Do I Begin being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Una Furtiva Lagrima | Luciano Pavarotti | B♭ Minor | 2 | 3A | 88 BPM | ||
| O Mio Babbino Caro | Giacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John Pritchard | A♭ Major | 1 | 4B | 112 BPM | ||
| The Cuckoo | Traditional Arr. Nicholas Dodd, Lesley Garrett | E♭ Major | 3 | 5B | 99 BPM | ||
| La Wally: Ebben? Ne andrò lontana | Alfredo Catalani, Miriam Gauci, Brussels Philharmonic, Ali Rahbari | E Major | 1 | 12B | 88 BPM | ||
| Les Pecheurs De Perles: Je Crois Entendre Encore | Georges Bizet, Alfredo Kraus, Nicola Rescigno, Orquesta Manuel de Falla | B♭ Major | 3 | 6B | 108 BPM | ||
| The Pearl Fishers | Georges Bizet, Amici forever, Nick Ingman | E♭ Major | 4 | 5B | 127 BPM | ||
| Nabucco / Act III: Va, pensiero, sull'ali dorate | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D♭ Major | 0 | 3B | 73 BPM | ||
| Lascia Ch'io Pianga | OperaBabes | F Major | 2 | 7B | 84 BPM | ||
| Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 81 BPM | ||
| Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D♭ Major | 1 | 3B | 82 BPM | ||
| Verdi: La traviata, Act 1: "Libiamo ne' lieti calici" (Alfredo, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Chorus) | Giuseppe Verdi, Riccardo Muti, Alfredo Kraus, Henry Newman, Renata Scotto, Richard van Allan, Roderick Kennedy, Sarah Walker, Suso Mariategui, Philharmonia Orchestra | B♭ Major | 2 | 6B | 71 BPM | ||
| Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
| Mazeppa, TH 7 / Act 3: "Spi, mladyenits moy prekrasniy" (Maria's Lullaby) | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D♭ Major | 1 | 3B | 76 BPM | ||
| Tales Of Hoffman: "Barcarolle" | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | E♭ Major | 3 | 5B | 74 BPM | ||
| Dancing Years, The - Waltz Of My Heart | Lesley Garrett, Royal Philharmonic Concert Orchestra | F♯ Major | 2 | 2B | 137 BPM | ||
| Così fan tutte, K. 588, Act II: Happy is the man who calmly takes life strictly as he finds it (Fiordiligi, Dorabella, Despina, Fe | Wolfgang Amadeus Mozart, Sir Charles Mackerras, Orchestra of the Age of Enlightenment, Janice Watson, Diana Montague, Lesley Garrett, Toby Spence, Christopher Maltman, Thomas Allen | C Major | 4 | 8B | 70 BPM | ||
| Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | ||
| Idaspe: Ombra fedela anch'io (Air de Dario) | Derek Lee Ragin, Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska | D♭ Major | 0 | 3B | 71 BPM | ||
| Le nozze di Figaro, K.492 / Act 2: "Porgi amor" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Metropolitan Opera Orchestra, James Levine | C Minor | 1 | 5A | 61 BPM | ||
| Ná Bris Andiu Mo Cheride (Do Not Break This Day, My Heart) | Patrick Cassidy | A Major | 1 | 11B | 72 BPM | ||
| Le nozze di Figaro, K. 492: Deh vieni, non tardar | Wolfgang Amadeus Mozart, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy | F Major | 0 | 7B | 88 BPM | ||
| L'elisir d'amore, Act II: Una furtiva lagrima | Gaetano Donizetti, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma | B♭ Minor | 1 | 3A | 80 BPM | ||
| L'elisir d'amore: "Una furtiva lacrima" | Luciano Pavarotti, Alfredo Di Lauro, Orchestra Di Lauro | B♭ Minor | 2 | 3A | 80 BPM | ||
| Così fan tutte, K. 588, Act I: I've the honour to present you (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | Wolfgang Amadeus Mozart, Sir Charles Mackerras, Orchestra of the Age of Enlightenment, Thomas Allen, Toby Spence, Christopher Maltman, Lesley Garrett, Janice Watson, Diana Montague | D Minor | 1 | 7A | 167 BPM | ||
| La Boheme: Quando M'en Vo | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | E♭ Major | 3 | 5B | 74 BPM |