"The Path" by Natalie Holt had its release date on June 27, 2022. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Obi-Wan Kenobi (Original Soundtrack)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. The Path is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Path by Natalie Holt having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ready to Go | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| A Right To Decide | Clinton Shorter | B♭ Major | 1 | 6B | 120 BPM | ||
| Academy Ruins | Mark Griskey | D♭ Minor | 2 | 12A | 66 BPM | ||
| Eyes on the Enterprise | Nami Melumad | C Major | 1 | 8B | 147 BPM | ||
| Oathkeeper | Brandon Roberts | A♭ Major | 1 | 4B | 91 BPM | ||
| Hangar Escape | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| What Began Will Return | Bryan Atkinson | C Minor | 2 | 5A | 172 BPM | ||
| Coriakin and the Map | David Arnold | F Minor | 0 | 4A | 88 BPM | ||
| Urgent Matter | Patrick Doyle | D♭ Minor | 0 | 12A | 82 BPM | ||
| Passage to Xhorhas | Critical Role, Omar Fadel | C Major | 3 | 8B | 92 BPM | ||
| Sharks [The Blue Planet - Music for the BBC TV Series] | George Fenton, BBC Concert Orchestra | E Major | 1 | 12B | 70 BPM | ||
| Stolen Womp Rat ~ The Merqaal Runs Free | Wilbert Roget, II | C Major | 1 | 8B | 76 BPM | ||
| First Day of Filming | Scott Michael Smith, Michael Dean Parsons | E Minor | 2 | 9A | 182 BPM | ||
| The High Fells | Howard Shore | A Major | 2 | 11B | 57 BPM | ||
| Azhdarchids | Anže Rozman, Kara Talve | F Major | 2 | 7B | 88 BPM | ||
| Beelzebufo | Anže Rozman, Kara Talve | G Minor | 3 | 6A | 128 BPM | ||
| Pre-Finale | Jan Valta, Adam Sporka | F Major | 1 | 7B | 113 BPM | ||
| Order 66 Memories | Luis Humanoide | B Major | 3 | 1B | 171 BPM | ||
| Too Little Too Late | The Newton Brothers | C Minor | 7 | 5A | 135 BPM | ||
| You Stay in England | Thomas Wander, Harald Kloser | G Major | 1 | 9B | 78 BPM | ||
| Empire Arrival | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| Jailer's Chain | Jake Lefkowitz, World of Warcraft, Blizzard Entertainment | E♭ Major | 3 | 5B | 81 BPM | ||
| Killer Whales [The Blue Planet - Music for the BBC TV Series] | George Fenton, BBC Concert Orchestra | A♭ Major | 1 | 4B | 136 BPM | ||
| Waterhole & Tarbosaurus | Kara Talve, Anže Rozman | C Minor | 1 | 5A | 120 BPM | ||
| Archimedes' Tomb | John Williams | C Major | 0 | 8B | 83 BPM |