"Memphis Angustiae" by Rui Massena had its release date on November 3, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rui Massena's "III" album is number 6 out of 7. On top of that, Portugal appears to be the country where this track was created. Memphis Angustiae is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Memphis Angustiae by Rui Massena to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Noctune: IV. Porto | Clemens Christian Poetzsch | A♭ Major | 1 | 4B | 120 BPM | ||
| Ocean | Keys Oba | A Major | 0 | 11B | 183 BPM | ||
| Room at Midnight | Theo Vos | F♯ Major | 0 | 2B | 74 BPM | ||
| Moondog | I TRAVEL LIGHT | B Minor | 2 | 10A | 78 BPM | ||
| God I'm Just Grateful | Dan Musselman | A♭ Major | 1 | 4B | 120 BPM | ||
| Meditação | Rui Massena | D♭ Major | 0 | 3B | 73 BPM | ||
| Hope | Simon Gepertz | D♭ Major | 0 | 3B | 140 BPM | ||
| Cerca de las Estrellas | Sharine | F♯ Minor | 1 | 11A | 72 BPM | ||
| i am more than a number | Robert Anton Strobel | A♭ Major | 1 | 4B | 120 BPM | ||
| Harmonic Orbit | Pan Meridian | E Minor | 2 | 9A | 78 BPM | ||
| Distance to You | Raúl Pierre | A♭ Major | 1 | 4B | 120 BPM | ||
| Surface | Eseraw | F Minor | 5 | 4A | 123 BPM | ||
| Denial | Marcus Elkjer | D Minor | 2 | 7A | 164 BPM | ||
| Frost | Mina Björnsdóttir, Laurent Denis | A♭ Major | 1 | 4B | 120 BPM | ||
| Fifteen | Philip Solo | A♭ Major | 1 | 4B | 120 BPM | ||
| the crying child inside | Robert Anton Strobel | A♭ Major | 1 | 4B | 120 BPM | ||
| Silent Echoes | Healing Piano | C Major | 0 | 8B | 134 BPM | ||
| A Quiet Sorrow | Pianovelle | A♭ Major | 1 | 4B | 120 BPM | ||
| Pigmalión (Solo Piano) | J. M. Quintana Cámara | G Minor | 6 | 6A | 121 BPM | ||
| Quiet Room | Luka Tibet | A♭ Major | 1 | 4B | 120 BPM | ||
| Solace | Thomas Klak | A♭ Major | 1 | 4B | 120 BPM | ||
| mãe | Rui Massena | G Major | 0 | 9B | 124 BPM | ||
| Mateus | Rui Massena | A Minor | 2 | 8A | 120 BPM | ||
| Improv for DT | Jesse Brown, Denis Turbide | D Major | 1 | 10B | 208 BPM | ||
| Backroom Candlelight | ZAK CLOUD | C Minor | 0 | 5A | 111 BPM |