- BPM
- 169
- Key
- E Major
- Camelot
- 12B
Odette Variations by New Moscow Symphony Orchestra, V. Ponkin Song Details
New Moscow Symphony Orchestra, V. Ponkin's 'Odette Variations' had a release date set for July 30, 2007. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Swan Lake. Peter Ilyitch Tchaikovsky". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. The popularity of Odette Variations is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Odette Variations by New Moscow Symphony Orchestra, V. Ponkin having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Music Key
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 18%
- Loudness
- -16.149 dB
- Acousticness
- 93%
- Danceability
- 24%
- Energy
- 6%
- Instrumentalness
- 12%
- Liveness
- 20%
- Loudness
- 73%
- Speechiness
- 5%
- Valence
- 36%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Der Schneemann: Moderato | Erich Wolfgang Korngold, Matthias Bamert, BBC Philharmonic Orchestra, Peter Manning | F Major | 0 | 7B | 130 BPM | |
 | Ronde de Jambe par Terre (from Don Quixote) | Douglas Schultz, Ludwig Minkus | E Minor | 2 | 9A | 108 BPM | |
 | Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 0 | 5B | 191 BPM | |
 | Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire | G Major | 0 | 9B | 88 BPM | |
 | Daphnis et Chloé, M. 57 / Troisième partie: Lever du jour | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | E Minor | 0 | 9A | 79 BPM | |
 | Swan Lake - Waltz | London Philharmonic Orchestra | A Major | 1 | 11B | 76 BPM | |
 | Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16a, Pas de deux de Fanny Elssler. Introduction | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | F Major | 1 | 7B | 107 BPM | |
 | Etudes: XIV. Broad leaps | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Major | 4 | 11B | 143 BPM | |
 | La Sylphide: Act II: Forest Scene: James and the Sylphide | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | B♭ Major | 0 | 6B | 120 BPM | |
 | Scene 1 | New Moscow Symphony Orchestra, V. Ponkin | B Major | 4 | 1B | 78 BPM | |
 | Tchaikovsky: Swan Lake, Op. 20, Act II: No. 13a, Dances of the Swans | Pyotr Ilyich Tchaikovsky, André Previn, Douglas Cummings, Ida Haendel, London Symphony Orchestra | B♭ Major | 3 | 6B | 100 BPM | |
 | Emeralds - Faure: Incidental music to Pelleas et Melisande, Op. 80 and Shylock, Op. 57; Pelleas et Melisande - Prelude: Quasi Adagio | Gabriel Fauré, NEW YORK CITY BALLET ORCHESTRA/ROBERT IRVING, CONDUCTOR | G Major | 1 | 9B | 83 BPM | |
 | Coppélia, Tableau 3: No. 20 Fête de la cloche: VIII. Danse de fête - Alternative Version | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | |
 | Verdi: Ballet (Otello): Verdi: Ballet (Otello) | Giuseppe Verdi, Munich Radio Orchestra, Ivan Repušić | A Minor | 0 | 8A | 120 BPM | |
 | Act III: Variation I. Prince Desire | Moscow New Philharmonic Orchestra, Vladimir Ponkin | F Major | 3 | 7B | 96 BPM | |
 | Le Corsaire: Act II - "5. Grand Pas: Variation: Medora" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | F Major | 0 | 7B | 77 BPM | |
 | Vals de los caminantes | Nicolas Sur | A Minor | 7 | 8A | 58 BPM | |
 | La Bayadere, Act III: 46. "Variation - 3rd Soloist Shade" | Evergreen Symphony Orchestra, Kevin Galiè | D Major | 0 | 10B | 170 BPM | |
| Scene | New Moscow Symphony Orchestra, V. Ponkin | B Major | 4 | 1B | 78 BPM | |
 | Don Quixote, Act 3: Coda (Arr. John Lanchbery) | John Lanchbery, Ludwig Minkus, State Orchestra Of Victoria | A Major | 4 | 11B | 146 BPM | |
 | Escales: Rome - Palerme | Jacques Ibert, Lamoureux Concerts Orchestra, Yutaka Sado | A♭ Major | 1 | 4B | 74 BPM | |
 | Grande tarantelle, Op. 67, RO 259 (Arr. for Piano & Orchestra by Hershy Kay) | Louis Moreau Gottschalk, Eugene List, Vienna State Opera Orchestra, Igor Buketoff | E♭ Major | 1 | 5B | 106 BPM | |
 | Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | |
| La Bayadere, Act II: 33. "Wedding Variation - Gamzatti" | Evergreen Symphony Orchestra, Kevin Galiè | A♭ Major | 1 | 4B | 78 BPM | |
 | Don Quixote, Act I: Quiteria and Basilio | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | A Minor | 3 | 8A | 101 BPM |
- ISRC
- USA560937577
- Label
- L-M Records/RCA Records