Messiah, HWV 56: Part III: Since by man came death (Chorus) by George Frideric Handel, Musica Sacra, Richard Westenburg Song Details

George Frideric Handel, Musica Sacra, Richard Westenburg's ' "Messiah, HWV 56: Part III: Since by man came death (Chorus)" was released on its scheduled release date, 1982. The duration of This song is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Messiah, HWV 56: Part III: Since by man came death (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Richard Westenburg's "Handel: Messiah" album is number 20 out of 53. On top of that, United States appears to be the country where this track was created. Messiah, HWV 56: Part III: Since by man came death (Chorus) is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

BPM and Tempo

We consider the tempo marking of Messiah, HWV 56: Part III: Since by man came death (Chorus) by George Frideric Handel, Musica Sacra, Richard Westenburg to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -15.078 dB
Acousticness: 90%
Danceability: 39%
Energy: 32%
Instrumentalness: 0%
Liveness: 58%
Loudness: 75%
Speechiness: 4%
Valence: 44%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo	Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana	D♭ Major	1	3B	118 BPM
Schubert: String Quartet No. 14 in D Minor, D. 810, "Death and the Maiden": II. Theme -	Franz Schubert, vision string quartet	G Minor	0	6A	131 BPM
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto	Tomaso Albinoni, Paul Dombrecht, Il Fondamento	D♭ Minor	3	12A	169 BPM
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto	William Boyce, Aradia Ensemble, Kevin Mallon	E Major	2	12B	153 BPM
Handel: Concerto a due cori No. 1 in B-Flat Major, HWV 332: I. Overture - Allegro ma non troppo	George Frideric Handel, Leslie Pearson, Menuhin Festival Orchestra, Yehudi Menuhin	F Major	1	7B	135 BPM
Sonata No. 13, Hob. XVI:6: III. Adagio	Joseph Haydn, Jean-Efflam Bavouzet	B♭ Major	0	6B	75 BPM
Concerto For Oboe In D Minor - Presto	Tafelmusik Baroque Orchestra	D♭ Minor	3	12A	104 BPM
Flute Concerto in G Major: I. Allegro non molto	Giuseppe Tartini, Per Oien, Norwegian Chamber Orchestra	G Major	1	9B	92 BPM
Sinfonia in D Major: III. Scherzando: Allegro	Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen	D Major	3	10B	109 BPM
Concerto in G Minor: I. Allegro	Johann Friedrich Fasch, Combattimento Consort Amsterdam, Han De Vries	G Minor	1	6A	94 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	C Minor	0	5A	80 BPM
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement	Marin Marais, Mieneke van der Velden, Glen Wilson	E♭ Minor	0	2A	120 BPM
Concerto grosso No. 5 in D Major, Op. 6/5, HWV 323: III. Presto	George Frideric Handel, Sir Neville Marriner, Trevor Connah, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields	G Minor	1	6A	140 BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Müller-Brühl	D♭ Major	1	3B	174 BPM
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	F Major	1	7B	71 BPM
String Quintet in E Major, G. 275: III. Minuetto - Trio	Luigi Boccherini, Cuarteto Casals, Eckart Runge	A Major	0	11B	127 BPM
Fantasia on Greensleeves	Ralph Vaughan Williams, Academy of St. Martin in the Fields, Sir Neville Marriner	C Minor	1	5A	89 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Suite in G minor: IV. Bourree II (Arr. A. Camden)	George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward	C Minor	1	5A	114 BPM
Adagio in G Minor "Albinoni's Adagio"	Remo Giazotto, Leon Spierer, David Bell, Berliner Philharmoniker, Herbert von Karajan	G Major	0	9B	62 BPM
Handel: Water Music, Suite No. 2 in D Major, HWV 349: III. Gigue	George Frideric Handel, Yehudi Menuhin, Bath Festival Orchestra	D Major	1	10B	118 BPM
Messiah, HWV 56, Pt. I: Pastoral Symphony, "Pifa" (Arr. L. Stokowski)	George Frideric Handel, Bournemouth Symphony Orchestra, José Serebrier	C Major	0	8B	84 BPM
Les plaisirs: Sarabande	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	F♯ Minor	0	11A	144 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78	Felix Mendelssohn, Jan Lisiecki	G Minor	0	6A	168 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	B♭ Major	1	6B	75 BPM