"You'll Never Walk Alone" by Richard Rodgers, The Priests had its release date on November 20, 2009. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. You'll Never Walk Alone's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Priests's "Harmony" album is number 16 out of 16. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, You'll Never Walk Alone is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of You'll Never Walk Alone by Richard Rodgers, The Priests to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Where Is Your Heart (From "Moulin Rouge") [Arr. for Piano] | Georges Auric, Dario Müller | E♭ Major | 0 | 5B | 66 BPM | ||
| The Merry Widow Waltz - Bright Viennese Waltz | Lester Lanin | G Major | 4 | 9B | 80 BPM | ||
| I Have Dreamed | Ronnie Aldrich, The Strings of the London Festival Orchestra | B♭ Major | 3 | 6B | 98 BPM | ||
| Feed The Birds (Tuppence A Bag) | The Cast of Mary Poppins | F♯ Major | 1 | 2B | 86 BPM | ||
| The Ragtime Symphonic Suite (Bonus Track) | Ragtime Orchestra, David Loud | F♯ Major | 3 | 2B | 117 BPM | ||
| La Vie En Rose | The Melachrino Strings | D Major | 3 | 10B | 147 BPM | ||
| The Entertainer - The Sting/Soundtrack Version/Orchestra Version | Marvin Hamlisch | C Major | 4 | 8B | 157 BPM | ||
| Grand Vals | Charlotte Guldberg, Hans Nielsen | C Major | 3 | 8B | 170 BPM | ||
| Die lustige Witwe / Act 2: Vilja-Lied | Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 97 BPM | ||
| We Kiss In A Shadow | Richard Rodgers, Peabo Bryson, Lea Salonga, John Mauceri, Hollywood Bowl Orchestra | F Major | 1 | 7B | 92 BPM | ||
| Getting to Know You | Marni Nixon | E♭ Major | 1 | 5B | 119 BPM | ||
| The Bridge On The River Kwai - The Colonel Bogey March | Malcolm Arnold | D Major | 5 | 10B | 122 BPM | ||
| Die Fledermaus: Waltz | Johann Strauss II, Ronnie Munro Scottish Variety Orchestra, Ronnie Munro, David Java Orchestra, Harold Collins Orchestra, Harry Davidson Orchestra, Harry Fryer Orchestra, London Coliseum Orchestra, Phil Green Theatreland Orchestra, Reginald Pursglove Orchestra, Richard Crean Orchestra, Ronnie Munro Waltz Orchestra, Studio Orchestra, Symphony Orchestra, Wynford Reynolds Orchestra | F Major | 2 | 7B | 182 BPM | ||
| Danubio Azul | Orquesta Concierto de Viena | B♭ Major | 3 | 6B | 88 BPM | ||
| Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
| The Grand Ballroom | Blush Notes | D Major | 3 | 10B | 90 BPM | ||
| Tara Theme - From 'Gone with the Wind' | Manuel & The Music Of The Mountains | A♭ Major | 4 | 4B | 183 BPM | ||
| Rodgers: Carousel, Act 1: "Soliloquy" (Billy) | Richard Rodgers, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen | E♭ Major | 0 | 5B | 100 BPM | ||
| Dagmar Polka (1866) | Hans Christian Lumbye, Tivoli Symphony Orchestra | A Major | 2 | 11B | 168 BPM | ||
| Paganini Rhapsody (On a Theme of Paganini: S. Rachmaninoff) [feat. Kirk Trevor & the Slovak National Symphony Orchestra] | Drew Tretick, Kirk Trevor, Slovak National Symphony Orchestra | D♭ Major | 2 | 3B | 84 BPM | ||
| Wein, Weib und Gesang (Wine, Women and Song), Op. 333 (RV 333) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 183 BPM | ||
| Oklahoma!, Act 1: No. 9, Many a New Day | Richard Rodgers, Sierra Boggess, Sandra Marvin, 'Oklahoma!' Ensemble, Sinfonia Of London, John Wilson | D Major | 1 | 10B | 129 BPM | ||
| Elizabethan Serenade | Ronald Binge | F Major | 2 | 7B | 178 BPM | ||
| The Merry Widow Waltz | Ian Whitcomb, The White Star Orchestra | G Major | 2 | 9B | 160 BPM | ||
| Till There Was You | Shirley Jones | D Major | 2 | 10B | 174 BPM |