"Everything We Say" by Billie Shaw had its release date on February 7, 2025. The duration of This song is about 3 minutes long, at 3:29. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Everything We Say and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Everything We Say is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Everything We Say by Billie Shaw is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| There Was Nothing Wrong | Reuben Plays | F♯ Major | 2 | 2B | 113 BPM | ||
| Side with Time | Chris Memento | C Minor | 2 | 5A | 109 BPM | ||
| Let The Right One In | 6th Street Jazz | D♭ Major | 2 | 3B | 99 BPM | ||
| Time Passes Quickly | Benjamin Davies | F Major | 2 | 7B | 110 BPM | ||
| When We Meet Again | Hamilton Reed Quartet | F♯ Major | 1 | 2B | 71 BPM | ||
| Maeve | Mornington | A♭ Major | 1 | 4B | 102 BPM | ||
| Hazy | Blush Object | D♭ Major | 1 | 3B | 166 BPM | ||
| Amiable | Ballroom Jazz Collective | C Major | 1 | 8B | 114 BPM | ||
| Along The Way | Odo Lefebvre | G Major | 1 | 9B | 117 BPM | ||
| Midnight Parlor | More than Jazz | G Major | 1 | 9B | 117 BPM | ||
| Where Have You Been | Goblin Quartet | G Minor | 1 | 6A | 112 BPM | ||
| Late Night Stroll | Maurice Green | G Major | 2 | 9B | 105 BPM | ||
| What You Say? | Hudson Harris & Haim | C Minor | 1 | 5A | 63 BPM | ||
| I Guess We Could | Benji Strings | F Major | 1 | 7B | 114 BPM | ||
| Brushes | Hermie | C Minor | 1 | 5A | 104 BPM | ||
| Makes feel special | The Sweetgreens | B♭ Major | 1 | 6B | 54 BPM | ||
| As The Leaves Blow | Prism Trio | F Minor | 2 | 4A | 116 BPM | ||
| With a Cigarette in the Rain | Nerra Vale | B♭ Major | 1 | 6B | 103 BPM | ||
| Central Park West | Charles Daisey & Friends | A♭ Major | 2 | 4B | 77 BPM | ||
| Then Came You | Jonah Anderson | F Major | 1 | 7B | 108 BPM | ||
| We Need to Do Better | Jonathan Bauer | E♭ Major | 3 | 5B | 109 BPM | ||
| Stellar | Yorkville | F Minor | 1 | 4A | 104 BPM | ||
| Sense of security | The Boston Four | F♯ Major | 2 | 2B | 111 BPM | ||
| We Could Be Anywhere | Eltingvilles | F Major | 1 | 7B | 95 BPM | ||
| I Want to Make You Love Me | Evelyn Blue | E♭ Major | 1 | 5B | 84 BPM |