"Vide Cor Meum (from "Hannibal")" by Ashton Gleckman had its release date on July 18, 2021. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 12 in A Night at the Movies, Vol. 2 by Ashton Gleckman. Based on our statistics, Vide Cor Meum (from "Hannibal")'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vide Cor Meum (from "Hannibal") by Ashton Gleckman is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| From Land To Sea | Philipp Alexander Geitmann | A Major | 1 | 11B | 111 BPM | ||
| Separations | Roque Baños | F Minor | 0 | 4A | 67 BPM | ||
| Shifted | Craig Armstrong | C Major | 1 | 8B | 110 BPM | ||
| Waves of Solace | Celtroya | E Minor | 3 | 9A | 119 BPM | ||
| We Do Not Know | Atli Örvarsson | C Minor | 2 | 5A | 93 BPM | ||
| Te vi a ti | Fernando Velázquez | G Minor | 0 | 6A | 63 BPM | ||
| Le illusioni | Andrea Farri | E♭ Major | 2 | 5B | 70 BPM | ||
| THEME FROM „WOMAN OF” - ORIGINAL SCORE | JIMEK | F Minor | 1 | 4A | 63 BPM | ||
| Dark Red Theme 3 - From "Victor Frankenstein" | Craig Armstrong, Brussels Philharmonic, Dirk Brossé | A Minor | 2 | 8A | 124 BPM | ||
| Katherine and Jan | Philip Klein | E♭ Major | 1 | 5B | 136 BPM | ||
| White Dream | Maya Kanella, Mayaa | C Major | 2 | 8B | 89 BPM | ||
| Al Compas De La Noche | Las Guerreras | A Minor | 1 | 8A | 161 BPM | ||
| Fall Of The Mighty | Johan Söderqvist | B Minor | 1 | 10A | 77 BPM | ||
| Shenzou (from "Gravity") | Ashton Gleckman | A♭ Major | 1 | 4B | 120 BPM | ||
| World Trade Center Choral Piece | Craig Armstrong, Susie Stevens Logan, Pete Anthony, The Hollywood Studio Symphony | D Major | 0 | 10B | 72 BPM | ||
| The Girl in the Bubble | Carlos Rafael Rivera | A Minor | 1 | 8A | 126 BPM | ||
| Remembering Gerry | Anne Nikitin | A♭ Major | 1 | 4B | 119 BPM | ||
| World Trade Center Cello Theme | Craig Armstrong, Alison Lawrance, Pete Anthony, The Hollywood Studio Symphony | D Major | 0 | 10B | 72 BPM | ||
| Touching The Void End Title | Alex Heffes | G Major | 1 | 9B | 117 BPM | ||
| Dråper | Christina Sandsengen, The Norwegian Radio Orchestra | E Minor | 0 | 9A | 79 BPM | ||
| Lion Family Solace | Segun Akinola | C Minor | 1 | 5A | 70 BPM | ||
| Reminiscence | Ashton Gleckman | F Major | 1 | 7B | 61 BPM | ||
| Glasgow Love Theme - Chamber Version | Craig Armstrong, Budapest Art Orchestra, Peter Pejtsik, Katalin Sarkady | C Major | 4 | 8B | 67 BPM | ||
| The Whole of Humanity | Steven Price | F Minor | 1 | 4A | 88 BPM | ||
| En Diagonal | Los Triunfadores | B♭ Minor | 1 | 3A | 110 BPM |