"Untitled, Live in Portland" by Sarah Davachi had its release date on March 29, 2019. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Floating Points's "Late Night Tales: Floating Points" album is number 1 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Untitled, Live in Portland is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Untitled, Live in Portland by Sarah Davachi to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| My Gull | Wilson Tanner | G Minor | 1 | 6A | 84 BPM | ||
| Loph | Sofie Birch | C Minor | 3 | 5A | 141 BPM | ||
| Midlands | Sarah Davachi | C Major | 0 | 8B | 62 BPM | ||
| First Cadence | Sarah Davachi | G Major | 0 | 9B | 72 BPM | ||
| Them, Their | Jan Jelinek | A♭ Major | 2 | 4B | 183 BPM | ||
| Sad Alron | Mark Pritchard | D♭ Minor | 2 | 12A | 74 BPM | ||
| Ulmma | KMRU | E♭ Major | 2 | 5B | 112 BPM | ||
| Tahoe | Dedekind Cut | E Minor | 1 | 9A | 86 BPM | ||
| Saku | Susumu Yokota | D Major | 2 | 10B | 118 BPM | ||
| A Study in Vastness | Ana Roxanne | A Minor | 1 | 8A | 134 BPM | ||
| Field of Reeds | Leo Svirsky | B Major | 1 | 1B | 58 BPM | ||
| Autowave | Kelly Moran | A Minor | 7 | 8A | 89 BPM | ||
| Lights On Water | Pan-American | A♭ Major | 1 | 4B | 66 BPM | ||
| Falling Water Lullaby | Ulla | G Major | 0 | 9B | 136 BPM | ||
| VARIATION: III (2024 Remaster) | Masashi Kitamura + Phonogenix | C Major | 3 | 8B | 93 BPM | ||
| Til A Mermaid Drags You Under | Mary Lattimore | A♭ Major | 3 | 4B | 123 BPM | ||
| Articulate Silences, Pt. 1 | Stars Of The Lid | D Major | 1 | 10B | 141 BPM | ||
| Time Away | Andy Stott | A Minor | 1 | 8A | 71 BPM | ||
| Ishiura (Abridged) | Toshi Tsuchitori | E Minor | 0 | 9A | 200 BPM | ||
| Hanging Gardens | Sarah Davachi | C Major | 0 | 8B | 62 BPM | ||
| Wheel | Visible Cloaks | F♯ Major | 2 | 2B | 81 BPM | ||
| Sketch 7 | Tim Hecker | C Major | 0 | 8B | 70 BPM | ||
| Mt Baker | Kaitlyn Aurelia Smith | D♭ Minor | 3 | 12A | 120 BPM | ||
| Requiem for Dying Mothers, Pt. 2 | Stars Of The Lid | B♭ Major | 1 | 6B | 75 BPM | ||
| Reset | Chocolate Hills | F♯ Major | 2 | 2B | 68 BPM |