Rajan & Sajan Mishra's ' "Bhajo Re Man" was released on its scheduled release date, January 1, 2011. This song appears to be safe for all ages as it is not explicit. The track order of this song in Rajan & Sajan Mishra's "Great Saints Of India" album is number 1 out of 6. On top of that, India appears to be the country where this track was created. Bhajo Re Man is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Bhajo Re Man by Rajan & Sajan Mishra to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Namah Parvathi Pataye Hara Hara | Sri Sathya Sai Bhajans | A Major | 5 | 11B | 110 BPM | ||
| Hari Bina Kari - Kajri | Girija Devi | A♭ Minor | 4 | 1A | 126 BPM | ||
| Kakbhusundi Path | Morari Bapu | A Major | 7 | 11B | 100 BPM | ||
| Gajavadana Gananatha Gajavadana Vinayaka | Sri Sathya Sai International Organization | D♭ Minor | 9 | 12A | 100 BPM | ||
| guru paduka stotram | Bhanumathi Narasimhan | F♯ Minor | 8 | 11A | 112 BPM | ||
| Argalaa Stotram | S.Prakash Kaushik | C Major | 3 | 8B | 129 BPM | ||
| Itni Shakti Mujhe Do | Dheera Ghosh | F♯ Major | 2 | 2B | 125 BPM | ||
| Teri Mand Mand Muskaniya Pe | Tanvi Senjaliya | C Major | 2 | 8B | 76 BPM | ||
| Bhaye Pragat Kripala Ram Stuti | Prem Prakash Dubey | A♭ Major | 4 | 4B | 84 BPM | ||
| Adharam Madhuram | Devi Chitralekha | E Minor | 2 | 9A | 137 BPM | ||
| Bheema Shankara | Sri Ganapathy Sachchidananda Swamiji | D Minor | 4 | 7A | 117 BPM | ||
| Traipuraagra Vaase | Sri Ganapathy Sachchidananda Swamiji | F♯ Minor | 5 | 11A | 170 BPM | ||
| Guru Charni Thevito Bhav Apo Aap Bhete Dev Abhang | Bhakti Bhajan, Prajwal Prk, Vrushabh Kathale | D Major | 10 | 10B | 85 BPM | ||
| Pitra Stotra | Acharya Sudhir Sharma Ved Pathi | G Major | 3 | 9B | 92 BPM | ||
| Jai Jai Ramkrushna Hari | Kashirambuva Indolikar, Digambar Kute | E♭ Minor | 5 | 2A | 87 BPM | ||
| Vishnu Sahasranaamam Dhyanam | T. S. Ranganathan | F Major | 3 | 7B | 105 BPM | ||
| Sankatmochan Hanumanashtak | Rajan & Sajan Mishra | D♭ Major | 3 | 3B | 134 BPM | ||
| Kali Stavan | Devaki Pandit | A Minor | 1 | 8A | 138 BPM | ||
| Shankara Jeevan Varada | Rajan & Sajan Mishra & Shruti Sadolikar | D♭ Major | 5 | 3B | 158 BPM | ||
| Gobind Satsangat Melai | Kirtan Fi, Bhai Jagdev Singh Ji (Paris) | D Major | 7 | 10B | 72 BPM | ||
| Maa Mahagauri Aarti | Avijit Das | G Major | 6 | 9B | 148 BPM | ||
| Krishna Sumiran | Ananya Basu | E Major | 4 | 12B | 100 BPM | ||
| Kakadaarti Karito Sainath Deva | Prabhanjan Marathe, Tyagraj Khadilkar, Varsha Bhave, Megha Gogte, Madhuri | F Major | 5 | 7B | 83 BPM | ||
| Shani Aarti | Chand Kumar | A Minor | 6 | 8A | 110 BPM | ||
| Hare Krishna Kirtan 10 | Sachi kumar Das | C Minor | 6 | 5A | 124 BPM |