On September 28, 2016, the song "ハリキリ・ボーイ" was released by 古川緑波. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ハリキリ・ボーイ~ロッパ歌の都へ行く, so we believe that "ハリキリ・ボーイ" is a single. ハリキリ・ボーイ is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of ハリキリ・ボーイ by 古川緑波 is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 明日は明日の風が吹く | Yujiro Ishihara | B Minor | 1 | 10A | 97 BPM | ||
| 別離 | Fubuki Koshiji | G Minor | 1 | 6A | 100 BPM | ||
| 一杯のコーヒーから | 霧島 昇, 松原 操 | D Major | 3 | 10B | 121 BPM | ||
| 真赤なドラム | 渡 哲也 | G Minor | 2 | 6A | 97 BPM | ||
| 愛して愛して愛しちゃったのよ | 田代美代子, 和田弘とマヒナスターズ | F Major | 3 | 7B | 112 BPM | ||
| Domino Polka | Mike Miskiewicz And His Orchestra | F Major | 8 | 7B | 127 BPM | ||
| 俺は待ってるぜ | Yujiro Ishihara | A Minor | 2 | 8A | 81 BPM | ||
| あなたの行く朝 | Tokiko Kato | F Major | 1 | 7B | 104 BPM | ||
| Om Lindberg kommer | Edvard Persson | D♭ Major | 2 | 3B | 99 BPM | ||
| Klart till drabbning | Sickan Carlsson, Åke Söderblom, Arne Hülphers orkester | G Major | 3 | 9B | 126 BPM | ||
| Le paradis perdu | Tony Murena | G Minor | 1 | 6A | 105 BPM | ||
| 哀愁列車 | Michiya Mihashi | F Minor | 2 | 4A | 140 BPM | ||
| 黒百合の歌 | 織井茂子 | B♭ Minor | 2 | 3A | 85 BPM | ||
| 二人だけの海 | Yuzo Kayama | C Major | 5 | 8B | 122 BPM | ||
| 愛のさざなみ | Chiyoko Shimakura | E Major | 3 | 12B | 99 BPM | ||
| 俺の明日はどこにある | 渡 哲也 | A Minor | 3 | 8A | 109 BPM | ||
| 九州炭坑節 | 藤本琇丈大社中 | B♭ Minor | 4 | 3A | 97 BPM | ||
| The Home Coming Waltz | Ivy Benson & Her Girls Band | A♭ Major | 2 | 4B | 98 BPM | ||
| 南の島のハメハメハ大王 | 上條恒彦 | G Major | 2 | 9B | 140 BPM | ||
| Let Him Go, Let Him Tarry | Ottilie Patterson, Chris Barber's Jazz Band | F Minor | 4 | 4A | 173 BPM | ||
| 隣組 | 徳山たまき | C Major | 2 | 8B | 104 BPM | ||
| キューポラのある街 | Sayuri Yoshinaga | B Minor | 4 | 10A | 106 BPM | ||
| Det Kommer En Vår | Johnny Bode | G Major | 3 | 9B | 127 BPM | ||
| 青春サイクリング | 小坂一也 | E♭ Major | 3 | 5B | 111 BPM | ||
| Post-Holiday Lazy Days | Oldies Playing | B♭ Minor | 5 | 3A | 90 BPM |