Richard Rodgers, Danny Kaye's 'Two by Two: Why Me?' had a release date set for 1970. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Two by Two: Why Me?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Two by Two (Original Broadway Cast Recording)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Two by Two: Why Me?'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Two by Two: Why Me? by Richard Rodgers, Danny Kaye having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Falling In Love With Love - from "The Boys From Syracuse" | Lorenz Hart, Richard Rodgers, Pro Musica Symphony Orchestra, Robert Ashley | G Major | 3 | 9B | 174 BPM | ||
| Celestial Echo | Astrid Voix | G Minor | 3 | 6A | 174 BPM | ||
| Out Of My Dreams | Shirley Jones, Darcy M. Proper | E♭ Major | 1 | 5B | 84 BPM | ||
| Summer Is Coming | Maurizio Malagnini, Peter Salem | G Major | 3 | 9B | 129 BPM | ||
| Morning Hymn | Richard Rodgers, André Rieu, Johann Strauss Orchestra | E♭ Major | 6 | 5B | 101 BPM | ||
| Oklahoma!, Act 1: No. 6, I Cain't Say No! | Richard Rodgers, Louise Dearman, Sinfonia Of London, John Wilson | F Major | 1 | 7B | 128 BPM | ||
| The Tales of Hoffmann: Barcarolle | Jacques Offenbach, Harry Rabinowitz | F Minor | 1 | 4A | 116 BPM | ||
| O Sole Mio | Eduardo di Capua, Alfredo Mazzucchi, André Rieu, Johann Strauss Orchestra | B♭ Major | 4 | 6B | 99 BPM | ||
| Garden of Innocence | Pino Donaggio | D Major | 2 | 10B | 56 BPM | ||
| Il Postino (the Postman) | Luis Bacalov, Juanjo Mosalini, Santa Barbara Symphony Orchestra, Gisele Ben-Dor | C Major | 0 | 8B | 182 BPM | ||
| Beautiful Dreamer | Alfred Hause | B♭ Major | 4 | 6B | 97 BPM | ||
| South Pacific - Original Broadway Cast Recording: Twin Soliloquies - Voice | Richard Rodgers, Mary Martin, Ezio Pinza, South Pacific Original Broadway Cast, Salvatore Dell'Isola | D Major | 1 | 10B | 103 BPM | ||
| Limelight | Frank Chacksfield | F Major | 1 | 7B | 101 BPM | ||
| Caro mio ben | Jan Mulder | E♭ Major | 2 | 5B | 91 BPM | ||
| Villefranche / In The Chapel (from "An Affair To Remember") | Gary Grant, Deborah Kerr | G Major | 1 | 9B | 81 BPM | ||
| The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
| Oklahoma!, Act 1: No. 3, The Surrey with the Fringe on Top | Richard Rodgers, Nathaniel Hackmann, Sandra Marvin, Sierra Boggess, Sinfonia Of London, John Wilson | A Major | 0 | 11B | 142 BPM | ||
| Love Me Tender | Victor Young, André Rieu, Johann Strauss Orchestra | B♭ Major | 3 | 6B | 109 BPM | ||
| In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
| Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
| A Day Together | John Barry | C Major | 2 | 8B | 84 BPM | ||
| Arlen, Harold: Over the Rainbow (From the 1939 Movie "The Wizard of Oz") | Manuel & The Music Of The Mountains | E Major | 3 | 12B | 82 BPM | ||
| Morning Hymn / Alleluia - Medley | Evadne Baker, Annalee, Marni Nixon, Portia Nelson | A♭ Major | 1 | 4B | 87 BPM | ||
| This Is Your Song | St. Petersburg Orchestra Harmony | F Major | 1 | 7B | 75 BPM | ||
| Till There Was You | Shirley Jones | D Major | 2 | 10B | 174 BPM |