Ιερεύς π. Βαρνάβας Βασιλείου's 'Κυριε ει μη τους αγίους σου είχομεν' had a release date set for April 18, 2007. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in Εκλογή Ύμνων από την Ακολουθία του Μεγάλου Αποδείπνου, so we believe that "Κυριε ει μη τους αγίους σου είχομεν" is a single. Κυριε ει μη τους αγίους σου είχομεν is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Κυριε ει μη τους αγίους σου είχομεν by Ιερεύς π. Βαρνάβας Βασιλείου is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Στ΄ Ωδή | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | E Major | 4 | 12B | 67 BPM | ||
| يا والِدَةَ الإلهِ الكُلِّيَّةَ القداسَة | The Choir of Eparchy of Tripoli | B♭ Major | 3 | 6B | 72 BPM | ||
| Η τον αχώρητον Θεόν… | Ι. Μ. Βατοπαιδίου | A♭ Major | 3 | 4B | 137 BPM | ||
| Συντρέχει λοιπόν | Ιερεύς π. Βαρνάβας Βασιλείου | E Major | 1 | 12B | 178 BPM | ||
| Il grincera des dents et dépérira... | Ioannis Koukouzèlis, Choeur byzantin de Grèce | C Major | 3 | 8B | 84 BPM | ||
| Litany of Suplicatin | The Serbian Choral Society Jedinstvo 1839 Kotor | F Major | 2 | 7B | 62 BPM | ||
| Ode 7 (Paschal Canon) | The Byzantine Choir of St. George Cathedral | B Major | 4 | 1B | 91 BPM | ||
| Αναστάσιμος Κανόνας Ωδή Θ´-Ήχος Ά | Byzantine Ark | C Major | 0 | 8B | 76 BPM | ||
| Katavasia 8th Tone "Passing Across the Water as It Was Land" - Song 4 | The Serbian Choral Society Jedinstvo 1839 Kotor | F Major | 2 | 7B | 62 BPM | ||
| Cherubic Hymn, Tone 7 - Znamenny Chant | St. Tikhon's Monastery Choir | B♭ Minor | 1 | 3A | 100 BPM | ||
| Simvolo tis Pisteos | Choir of Vatopedi Fathers | C Major | 4 | 8B | 64 BPM | ||
| Ε΄ Ωδή | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | E Major | 4 | 12B | 67 BPM | ||
| The Small Canon of Supplication: Ode IV in English | Psaltiki | B♭ Major | 2 | 6B | 107 BPM | ||
| Dogmatic Theotokion Tone IV | All-Merciful Saviour Monastery | E♭ Major | 1 | 5B | 83 BPM | ||
| Достойно есть | Голос Византии | B♭ Minor | 1 | 3A | 69 BPM | ||
| Αλληλούια, Ηχ. Α΄ | Ρωμαίϊκο Σύνολο | B♭ Minor | 3 | 3A | 119 BPM | ||
| End of Service | The Serbian Choral Society Jedinstvo 1839 Kotor | F Major | 2 | 7B | 62 BPM | ||
| Β΄ Στάσις Τυπικών: Ψαλμός 145 | Χορός Βατοπαιδινών Πατέρων | B♭ Major | 3 | 6B | 135 BPM | ||
| Се время покаяния | Братский хор Свято-Елисаветинского монастыря под управлением Евгения Прокофьева | F♯ Minor | 2 | 11A | 77 BPM | ||
| Θ΄ Ωδή | Ορθόδοξη Εκκλησιαστική Βυζαντινή Χορωδία | E Major | 4 | 12B | 67 BPM | ||
| Axion | Byzantion | E♭ Major | 3 | 5B | 84 BPM | ||
| Psalm 94, Tones: 4, 5 | Father Nicolas Malek, The Choir of Eparchy of Tripoli | D♭ Minor | 2 | 12A | 83 BPM | ||
| Tin Oreotita (Beauty) | Nikos Amorgianos, Byzantine Renaissance | F Major | 3 | 7B | 70 BPM | ||
| Κοντάκιον, Β΄ | Ιερεύς π. Βαρνάβας Βασιλείου | B Minor | 5 | 10A | 114 BPM | ||
| Dumnezeu dintru-nceput | Mănăstirea Putna | A Major | 2 | 11B | 130 BPM |