Alessandro Scarlatti, Víctor Sordo, Luciana Mancini, La Ritirata, Josetxu Obregon's ' "Il giardino di rose, R.503.19: Seconda Parte: Come liete e vezzose (Recitativo)" was released on its scheduled release date, February 14, 2025. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 55 in the song's album "Scarlatti: Il giardino di rose". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Il giardino di rose, R.503.19: Seconda Parte: Come liete e vezzose (Recitativo) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il giardino di rose, R.503.19: Seconda Parte: Come liete e vezzose (Recitativo) by Alessandro Scarlatti, Víctor Sordo, Luciana Mancini, La Ritirata, Josetxu Obregon having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
| String Sonata à 5 in G Minor, Op. 2 No. 11: III. Grave | Tomaso Albinoni, Ensemble Masques, Olivier Fortin, Sophie Gent, Kathleen Kajioka | F♯ Major | 2 | 2B | 122 BPM | ||
| First Sonata, in D Major: I. Sicilienne | Joseph Bodin de Boismortier, Claire Guimond, Luc Beauséjour | C Major | 1 | 8B | 122 BPM | ||
| Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
| Rodelinda, HWV 19: Act I - "Ombre, piante" | Simone Kermes | E Minor | 1 | 9A | 84 BPM | ||
| Messa a 5 Concertata: IX. Domine Deus, Rex coelestis | Giovanni Paolo Colonna, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón, Elizaveta Sveshnikova, Mariana Flores, Paul-Antoine Bénos-Djian | E♭ Minor | 1 | 2A | 60 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: I. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Credo, RV. 591: Coro "Et resurrexit tertia die" | Antonio Vivaldi, Les Arts Florissants, Paul Agnew | B Minor | 1 | 10A | 75 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| Stabat mater: IV. Quae moerebat et dolebat | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Il prigioniero fortunato: Sinfonia: II. Adagio | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 1 | 3B | 84 BPM | ||
| Spanish Folies in D Minor | Francois Loeb, Alessandro Scarlatti | D Minor | 1 | 7A | 108 BPM | ||
| Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
| Orfeo ed Euridice: Act I, Scene 1, Coro: Ah, se intorno a quest'urna funesta | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Freiburger Barockorchester | F Minor | 1 | 4A | 80 BPM | ||
| Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
| Magnificat en sol mineur, RV 610: II. Et exultavit | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Johannette Zomer, Damien Guillon, La Capella Reial De Catalunya, Le Concert Des Nations | B Major | 1 | 1B | 81 BPM | ||
| Atys, LWV 53, Prologue: Ouverture | Jean-Baptiste Lully, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko | B Minor | 0 | 10A | 70 BPM | ||
| Scarlatti, A: Concerto grosso in sette parti: No. 2 in C Minor: III. Minueto | Alessandro Scarlatti, Europa Galante, Fabio Biondi | B Minor | 1 | 10A | 110 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): I. Miserere mei Deus | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Major | 2 | 10B | 105 BPM | ||
| Sonata in C Major, No. 3: I. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 1 | 1B | 131 BPM | ||
| The Indian Queen, Z. 630: "I attempt from love's sickness" | Henry Purcell, Alfred Deller, Roderick Skeaping, Wieland Kuijken, William Christie | D Major | 1 | 10B | 72 BPM | ||
| Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
| Requiem In C Major: III. Introitus, Exaudi | Johann Adolf Hasse, Il Fondamento, Paul Dombrecht, Susanna Moncayo Von Hase | B Minor | 3 | 10A | 82 BPM | ||
| Leclair: Violin Concerto in C Major, Op. 7 No. 3: II. Adagio | Jean-Marie Leclair, Jaap Schröder, Concerto Amsterdam | B Minor | 0 | 10A | 70 BPM | ||
| Concerto grosso No. 6 in F Major, Op. 6: III. Largo | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Minor | 2 | 12A | 66 BPM |