"Mitch Rapp" by Steven Price had its release date on September 15, 2017. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 14 in American Assassin (Original Motion Picture Soundtrack) by Steven Price. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Mitch Rapp's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Mitch Rapp by Steven Price is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Blue Whale | Steven Price | F♯ Minor | 3 | 11A | 112 BPM | ||
| Good Evening, Mr. Hunt | Joe Kraemer | G Minor | 0 | 6A | 96 BPM | ||
| Assassin | Tom Evans | B♭ Major | 2 | 6B | 143 BPM | ||
| Dead Freight | Dave Porter | D Major | 7 | 10B | 111 BPM | ||
| Secrets and Lies | Atli Örvarsson | A Minor | 2 | 8A | 75 BPM | ||
| The Truth Can Save You | Blake Neely | A Major | 9 | 11B | 150 BPM | ||
| It Won't Ever Come to That | Volker Bertelmann | D♭ Major | 3 | 3B | 120 BPM | ||
| Homecoming | Roque Baños | F Major | 1 | 7B | 69 BPM | ||
| Let Me Explain | David Reichelt | G Major | 5 | 9B | 160 BPM | ||
| How It Ends | Atli Örvarsson | A♭ Major | 7 | 4B | 112 BPM | ||
| We Built This City | Ryan Taubert | F Minor | 2 | 4A | 175 BPM | ||
| Don't Die On Me | Chris Benstead | G Major | 0 | 9B | 52 BPM | ||
| Running Out Of Time | Adam Peters | C Major | 2 | 8B | 191 BPM | ||
| Motorcade / Marine One Lands | Trevor Morris | D♭ Major | 4 | 3B | 145 BPM | ||
| The Passenger | Atticus Ross | A♭ Major | 2 | 4B | 90 BPM | ||
| I'll Never Be the Same | Roque Baños | F Minor | 4 | 4A | 116 BPM | ||
| Lord George | Chris Benstead | G Major | 1 | 9B | 138 BPM | ||
| Losing Rachel | Jeff Beal | A♭ Major | 2 | 4B | 110 BPM | ||
| Irrevocable | Atli Örvarsson | D♭ Major | 2 | 3B | 79 BPM | ||
| Lakes and Flamingos | BBC Concert Orchestra, Sarah Class, Elizabeth Purnell | C Major | 4 | 8B | 111 BPM | ||
| A Commuter's Trip | Roque Baños | G Minor | 3 | 6A | 141 BPM | ||
| Hotell 2 | Andreas Söderström, Johan Berthling | E Minor | 0 | 9A | 106 BPM | ||
| The Old Guard | Volker Bertelmann, Dustin O'Halloran | C Major | 4 | 8B | 126 BPM | ||
| Night Manager Desk | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Back In The Ground | Tyler Bates, Joel J. Richard | C Major | 4 | 8B | 89 BPM |