On August 9, 2024, the song "Sonate e Partite; No. 51, Larghetto (Recomposed by Luca Astolfoni Fossi)" was released by Francesco Lecce, Claudio Ferrarini. This song is about six minutes long, preciously at 6:05, making this song fairly long compared to other songs. The song is number 1 out of 20 in Francesco Lecce: 67 Sonate e Partite, No. 51 - 67. Works for Unaccompanied Violin Recomposed for Solo Flute & Mandolin Concerto in G Major Recomposed for solo fluteby Luca Astolfoni Fossi, Book III by Francesco Lecce, Claudio Ferrarini. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. Sonate e Partite; No. 51, Larghetto (Recomposed by Luca Astolfoni Fossi) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonate e Partite; No. 51, Larghetto (Recomposed by Luca Astolfoni Fossi) by Francesco Lecce, Claudio Ferrarini is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto grosso No. 5 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | D Minor | 1 | 7A | 64 BPM | ||
| Concerto in D Minor, Op. 6 No. 3: II. Allegro spiritoso | Charles Avison, Café Zimmermann | G Major | 1 | 9B | 120 BPM | ||
| Divertimento à 3 in D Major: III. Allegro | Ignaz Holzbauer, Camerata Köln | D♭ Major | 1 | 3B | 108 BPM | ||
| Sinfonie a cinque per due violini, alto, tenore, violoncello e basso, Op. 2. Sonata a cinque in G Minor, No. 6: IV. Allegro | Tomaso Albinoni, Ensemble 415, Chiara Banchini | A♭ Major | 3 | 4B | 132 BPM | ||
| First Suite In A Minor (Premiere Suite, En La Mineur): Introduction (L'Entrevue) | Alexandre De Villeneuve | E♭ Major | 2 | 5B | 69 BPM | ||
| Ouverture No. 6 in G Minor: II. Largo | Francesco Maria Veracini, Ensemble Zefiro, Alfredo Bernardini | B Minor | 1 | 10A | 76 BPM | ||
| "Sonate à quatre parties" In D Major: 2. Adagio | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 63 BPM | ||
| Sonata a 4 in A minor - Largo - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | A♭ Minor | 2 | 1A | 128 BPM | ||
| 12 Concerti grossi, Op.6 - Concerto grosso in F major, Op. 6, No. 9: 2. Allegro | George Frideric Handel, Handel & Haydn Society, Christopher Hogwood | E Major | 2 | 12B | 124 BPM | ||
| Purcell: King Arthur, Z. 628, Act 5: Symphony | Henry Purcell, John Eliot Gardiner, English Baroque Soloists | B Major | 1 | 1B | 82 BPM | ||
| Oboe Concerto in G Major, TWV 51:2: IV. Allegro | Georg Philipp Telemann, St. Christopher Chamber Orchestra, Donatas Katkus, Andrius Puskunigis | A Major | 2 | 11B | 153 BPM | ||
| Concerto grosso in C Minor Op. 6, No. 3: III. Grave | Arcangelo Corelli, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Minor | 2 | 12A | 81 BPM | ||
| Overture No. 6 in B-Flat Major: II. Largo | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 0 | 2B | 96 BPM | ||
| 3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Concerto for Recorder and Flute in E Minor, TWV 52:e1: Largo | Georg Philipp Telemann, Daniel Rothert, Elke Martha Umbach, Cologne Chamber Orchestra, Helmut Müller-Brühl | F Major | 1 | 7B | 129 BPM | ||
| Sonate e Partite: No. 52, Andante (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 69 BPM | ||
| Purcell: The Tempest, Z. 631, Act 4: The Sailor's Dance | Henry Purcell, John Eliot Gardiner, Monteverdi Orchestra | D♭ Minor | 2 | 12A | 101 BPM | ||
| Concerto Armonico No. 4 in G Major: Da capella non presto | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 3 | 2B | 108 BPM | ||
| Mozart: Divertimento in F Major, K. 138 "Salzburg Symphony No. 3": III. Presto | Wolfgang Amadeus Mozart, Amsterdam Baroque Orchestra, Ton Koopman | E Major | 1 | 12B | 135 BPM | ||
| Sonata for 4 Violins in C Major, TWV 40:203: III. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | B Major | 0 | 1B | 118 BPM | ||
| Ouverture in G Major: I. Ouverture | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 4 | 7B | 123 BPM | ||
| "Sonate à quatre parties" in D Major: I. Allegro | Jean-Baptiste Quentin, Hajo Bäß, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 185 BPM | ||
| Goldberg Variations, BWV 988 (Arr. for Ensemble by Robin Pharo and Jean Rondeau): Var. XVI. Ouverture. a 1 Clav. | Johann Sebastian Bach, Nevermind | F♯ Major | 2 | 2B | 69 BPM | ||
| Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
| Concerto for Flute, English Horn, Strings and B.c. "Amabile baltà": Allegro ma non troppo ("Più amabile beltà" from Opera 'Giulio Cesare', HWV 17) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Matthieu Gauci-Ancelin, Jakub Haufa, Monika Razynska | D♭ Major | 2 | 3B | 122 BPM |