"Play The Victim" by The Word Alive had its release date on January 1, 2014. With this song being around four minutes long, at 4:19, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "REAL.". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Play The Victim's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Play The Victim by The Word Alive having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ellie | Veil Of Maya | D♭ Minor | 10 | 12A | 120 BPM | ||
| Here's To Letting Go | The Air I Breathe | A♭ Major | 9 | 4B | 130 BPM | ||
| Heartbreak Kids | Secrets | F♯ Minor | 9 | 11A | 79 BPM | ||
| The Langdon House | Issues | F Minor | 9 | 4A | 105 BPM | ||
| Cut Me Out | Dangerkids | D Minor | 10 | 7A | 140 BPM | ||
| In Between | Beartooth | G Minor | 10 | 6A | 128 BPM | ||
| In The Mouth of Madness (feat. Tyler Carter) | Nightmares, Tyler Carter | B Minor | 8 | 10A | 145 BPM | ||
| You Are Now Manually Breathing | Everyone Dies In Utah | A Major | 10 | 11B | 85 BPM | ||
| Delete, Repeat | Confide | E Minor | 10 | 9A | 83 BPM | ||
| For the Likes of You | Woe, Is Me | A♭ Major | 9 | 4B | 145 BPM | ||
| Scarlet | Periphery | B♭ Minor | 10 | 3A | 105 BPM | ||
| Atlas | My Ticket Home | E Major | 10 | 12B | 195 BPM | ||
| The Masquerade | Adestria | D♭ Major | 10 | 3B | 85 BPM | ||
| Taking Chances | Chunk! No, Captain Chunk! | C Major | 10 | 8B | 110 BPM | ||
| Gaunt and Fierce | This Or The Apocalypse | E Minor | 10 | 9A | 82 BPM | ||
| The Sea At Storm | The Wise Man's Fear | F Minor | 9 | 4A | 140 BPM | ||
| Regress | Polaris | A♭ Minor | 10 | 1A | 122 BPM | ||
| Failures | I The Mighty | D♭ Minor | 9 | 12A | 146 BPM | ||
| Light Escapes | Dangerkids | D♭ Major | 10 | 3B | 155 BPM | ||
| Clockworks | InDirections | D Major | 9 | 10B | 115 BPM | ||
| Call It Like You See It | Woe, Is Me | B Minor | 8 | 10A | 145 BPM | ||
| When It's Over | Youth in Revolt | D♭ Major | 10 | 3B | 177 BPM | ||
| The View From My Eyes | Confide | A♭ Major | 9 | 4B | 175 BPM | ||
| Visions | From Atlantis | F♯ Major | 10 | 2B | 130 BPM | ||
| Pittsburgh (No Intro) | The Amity Affliction | F Minor | 9 | 4A | 148 BPM |