"The Hapless Child" by Michael Mantler had its release date on 1976. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "The Hapless Child And Other Inscrutable Stories". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. The popularity of The Hapless Child is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Hapless Child by Michael Mantler having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
| Third Stream Boogaloo | Derek Bailey, Evan Parker, Hugh Davies, Jamie Muir, Christine Jeffrey | E Minor | 4 | 9A | 77 BPM | ||
| Baghèt | Gianluigi Trovesi, Paolo Damiani, Gianni Cazzola | C Major | 2 | 8B | 123 BPM | ||
| Pourquoi | Michael Mantler, Himiko Paganotti, Max Brand Ensemble | B♭ Minor | 2 | 3A | 87 BPM | ||
| Shaw Town | Chicago Underground Trio | F Major | 0 | 7B | 80 BPM | ||
| The Insect God | Michael Mantler | E Major | 5 | 12B | 122 BPM | ||
| Piperspool | John Surman | B♭ Minor | 1 | 3A | 120 BPM | ||
| Levitation | John Surman | C Major | 1 | 8B | 139 BPM | ||
| Entrave | Henri Texier, Aldo Romano, Louis Sclavis | C Minor | 5 | 5A | 116 BPM | ||
| Following Behind | John Surman | C Minor | 2 | 5A | 147 BPM | ||
| Harlem | Paul Bley | G Minor | 1 | 6A | 87 BPM | ||
| WW1 | Evan Parker | A♭ Minor | 3 | 1A | 69 BPM | ||
| Nothing Like You | Gil Evans | B♭ Minor | 6 | 3A | 104 BPM | ||
| Standing Ovation (For Mandela) | Henri Texier, Aldo Romano, Louis Sclavis | G Major | 5 | 9B | 154 BPM | ||
| Throughout | Bill Frisell | A Major | 1 | 11B | 87 BPM | ||
| The Whistler | John Ellis | G Minor | 1 | 6A | 87 BPM | ||
| At First Sight | John Surman, Nelson Ayres, Rob Waring | A♭ Major | 1 | 4B | 77 BPM | ||
| The Dark Light | Arve Henriksen, Harmen Fraanje | G Minor | 0 | 6A | 96 BPM | ||
| Natural Patterns | Josh Wynter | C Minor | 3 | 5A | 80 BPM | ||
| Of All Places | The Keys to the Sub, Albert Beger, Asaf Finkelstein, Adam Ben Ezra | D♭ Major | 1 | 3B | 98 BPM | ||
| Lullaby For A Lonely Child | Nucleus | B♭ Minor | 2 | 3A | 99 BPM | ||
| In a Silent Way | Joe Zawinul, Lewis Hahn | A Major | 2 | 11B | 70 BPM | ||
| Tears Transforming | Tord Gustavsen Trio | C Major | 2 | 8B | 114 BPM | ||
| Gio | Markus Stockhausen, Ferenc Snétberger, Arild Anderson | A Minor | 2 | 8A | 83 BPM | ||
| It Should've Happened A Long Time Ago | Paul Motian Trio | F♯ Minor | 2 | 11A | 117 BPM |