"FFVII REMAKE: The Red Zone" by 鈴木 光人 had its release date on 1997. With This song being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 32 out of 156 in FINAL FANTASY VII REMAKE Original Soundtrack by SQUARE ENIX MUSIC. Going off of the ISRC code of this track, we detected that the origin of this track is from Japan. Based on our statistics, FFVII REMAKE: The Red Zone's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of FFVII REMAKE: The Red Zone by 鈴木 光人 is Vivace (lively and fast), since this song has a tempo of 158 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deserted Temple Stage -Japan- | Hideyuki Fukasawa | E Minor | 8 | 9A | 126 BPM | ||
| Enlightener | Yasunori Nishiki | A Minor | 9 | 8A | 112 BPM | ||
| Maximize Power! (Waldstein Theme) | 来兎 | D♭ Minor | 10 | 12A | 152 BPM | ||
| FFVII REMAKE: Fires of Resistance | 島 翔太朗 | E Minor | 9 | 9A | 82 BPM | ||
| Theme of Makoto -SSFⅣ Arrange- | Hideyuki Fukasawa | A♭ Major | 7 | 4B | 135 BPM | ||
| The Blazing Tactician | Yasunori Mitsuda, 牧野忠義 | C Major | 9 | 8B | 160 BPM | ||
| Turbulence Plains (Stage 12) | Paul Bethers | F♯ Major | 2 | 2B | 202 BPM | ||
| Rise of the Grendel | Falcom Sound Team jdk | F♯ Minor | 8 | 11A | 100 BPM | ||
| Theme of Luke | Yoshiya Terayama | D Major | 9 | 10B | 120 BPM | ||
| Karen Traver | SCARLET NEXUS Sound Team | C Major | 9 | 8B | 108 BPM | ||
| Mad Matrix | Jun Senoue (SEGA SOUND TEAM) | F Major | 10 | 7B | 145 BPM | ||
| FFVII REMAKE: An Unforgettable Night | 植松 伸夫 | D♭ Major | 7 | 3B | 159 BPM | ||
| Theme of Lucia | Daniel Lindholm | B♭ Major | 9 | 6B | 157 BPM | ||
| Unseen Intruder - Aggressive Mix | Aimee Blackschleger | B♭ Minor | 9 | 3A | 173 BPM | ||
| The City Time Forgot | SCARLET NEXUS Sound Team | G Major | 0 | 9B | 110 BPM | ||
| BOSSBATTLE_v2-09_31aug11 | Mitsuto Suzuki | G Major | 9 | 9B | 150 BPM | ||
| Silent Line (OP-Intensify) | FreQuency | B Minor | 9 | 10A | 135 BPM | ||
| Our Tekken Ball - Climax | TEKKEN Project, Bandai Namco Game Music | G Major | 10 | 9B | 141 BPM | ||
| Theme of Vega -SFⅣ Arrange- | Hideyuki Fukasawa | E Minor | 8 | 9A | 126 BPM | ||
| The Ceaseless Rill | 矢崎 早彩 | F Minor | 3 | 4A | 78 BPM | ||
| All as One | 祖堅 正慶, 植松 伸夫 | D♭ Major | 8 | 3B | 82 BPM | ||
| 「Battle Preparations」 from DISSIDIA FINAL FANTASY | Takeharu Ishimoto | F Minor | 6 | 4A | 80 BPM | ||
| Kanzuki Beach -Malaysia Stage- | Keiki Kobayashi | B Major | 9 | 1B | 130 BPM | ||
| #Boss Battle | 青木 千紘 | E Major | 10 | 12B | 155 BPM | ||
| English Manor -England Stage- | Steven Mcnair | D♭ Major | 10 | 3B | 138 BPM |